Showing posts with label My Articles. Show all posts
Showing posts with label My Articles. Show all posts

Sunday, 3 January 2016

My New Years Resolution 'Build The a Team in 2016' (plus my vision for the future and how to achieve it)


The Power of Intention




Dear All

This is the most exciting message I have ever delivered, it is also the most challenging because we are at a time of great change and change can be a daunting thing. So I would like to start it by considering the meaning of the word 'Change' it's effects and the ways in which we deal with it.

There are two basic types of change, the first is gradual evolutionary change, leading to the survival of the fittest version of the dominant established model. The second is sudden dramatic change which creates a new order, like when we replaced the Dinosaurs as the rulers of this planet. 

This second type of change is often called a 'Crisis' which in Chinese happens to translate as 'dangerous opportunity' or in more English terms into the saying 'it's an ill wind that blows nobody any good'

Applied to estate agency, the biggest and most dramatic change that occurred in recent times was in 1988 when the housing act of that year gave rise to the modern Lettings market. Prior to 1988 private rentals in this country had fallen to an all time low of less than 4% of households. 

The reason why private rentals were so rare prior to 1988 was because of rent controls and security of tenure for tenants. These had been introduced in the 70s and meant that if you rented out a property you could never get it back and never increase the rent, it was no surprise that not many people wanted to be landlords under those conditions.

However, the 1988 housing act changed all that, it created the assured short-hold tenancy which survives to this day and allows a landlord to rent out a property in the knowledge that they can get the market rent and at the end of the agreement get their property back if they want to.

As a result private rentals have boomed and after 1995 when the first buy to let mortgages became available have grown to account for nearly 20% of households with over two million people choosing to become private landlords, often with the objective of using their properties as a pension to give them security and freedom in retirement.

Despite the mobility and flexibility a healthy rentals market has brought to the economy and the benefits it has brought to landlords there has been some underlying problems. The first and biggest problem has been a chronic shortage of property to supply the demand from a growing population. This imbalance between supply and demand has meant prices have spiralled in both the rental and sales markets.

The second problem is that it is very hard to regulate over two million private landlords in order to ensure decent standards for tenants. Equally the competition from private landlords has meant that home ownership has become an unreachable dream for many first time buyers, especially in London and the South East, the areas in which we operate.

So the Government has decided on a policy that it hopes will encourage building, evening the playing field between first time buyers and landlords and enabling a system of regulation to be imposed on the private rental market to guarantee minimum living standards for tenants.

In practice what this means is a series of changes aimed at squeezing individual amateur landlords out of the market and encouraging professional corporate landlords into it. So from April next year there will be an extra 3% stamp duty payable on all buy to let properties and second homes, which means first time buyers and home movers will have an advantage when competing against individual investors to buy property.

Then, from 2017 higher rate tax payers will see the gradual loss of higher rate tax relief on their mortgage interest, this will make it much more expensive for them to borrow money and again will lead to a reduction in the number of properties they buy.

Professional corporate landlords will however be exempt from these changes, they will also be given incentives and subsidies to build new property to let which the Government hopes will lead to more building and eventually to a solution to the chronic housing shortage.

As estate agents it doesn't really matter whether we agree with these changes or not. We may feel it's unfair and ironic to penalise private landlords in this way, especially as they are mainly the Conservative voters who put this government into power in the first place. 

We may also feel that as estate agents these changes are going to negatively impact our businesses. Perhaps landlords and estate agents can comfort themselves with the thought that it would have been a lot worse if Labour had won the election.

The reason it doesn't really matter what we think of these changes is because we can't stop them, therefore all we can do is have a plan to react to them in the most positive way possible. In order to create a plan we must be able to predict what affect these changes will have in the market and then adapt our strategy accordingly.

Like all predictions, there is room for error but it is safe to say that between now and April there will be a boom in investment property sales as landlords try to make their purchases before the stamp duty deadline. Which means it is vital that we as a company get off to a fast start in 2016 and make hay while the sun shines.

After April it is equally predictable that there will be a dramatic reduction in sales with far less new Landlords entering the market. It is also likely that Landlords will be reluctant to trade up in the future because they will have to pay the extra stamp duty on their new purchase as well as capital gains tax on the property they sell. 

Very few Landlords will consider selling because there is precious little they can do with the money, the stock market is precarious and the banks and building societies are paying virtually no interest, with no end in sight, so they will tend to do nothing. 

It is a fact that we have never seen economic conditions like this, never, not in thousands of years! Gone are the days of boom and bust we are now living in an age of flat water where to make progress we need to generate our own momentum.

It is also very unlikely that first time buyers will take up the slack in sales. If supply remains limited then prices will remain high and may even go higher still. It will only be wealthy first time buyers and those with help from their parents that will be able to afford to buy.

This stagnation in buy to let and first time buyer activity will also have a knock on effect up the market with less and less property being put up for sale and with the costs of moving so high, more and more people will stay put and choose to improve the homes they already live in.

Added to these considerable headwinds, estate agents in 2016 will see ever increasing competition from the likes of Purple Bricks and Easy Property. These online agents probably won't take a significant market share because they have a flawed business model, in my view anyway. But every sale or let they make takes another bite out of the traditional estate agents market.

Ironically corporate funded Build To Let programs will boom as institutions take the Chancellors lead and plunge headlong into the private rented sector. Some of these corporates will be potential clients for high street management services but many will either do it themselves or give their business to their corporate buddies.

As a result, I foresee that after April next year many traditional high street estate agents will be facing the most difficult trading conditions for a generation and I predict that many of them will go out of business as they refuse to or unable to adapt to the new market conditions.

And yet, despite these stark and superficially frightening facts, I am more excited and more optimistic about our prospects now than ever before, let me explain why.

Over the past few years I have developed a plan that will see our unique ideas like the primary tenancy and our investments division literally revolutionise the industry. 

I have also been researching and have already started implementing cutting edge technology and tools which will enable us to build our business by crushing our local competition as they wither in the face of change they neither understand or are equipped to handle. As you read on you will see my plan will also allow us to grow by creating winners in the areas we no not cover and turning some of our competitors into our allies.

The first tool I have identified to equip us to win the coming war is called Big Data. You may have heard the term used by the media but what is Big Data and what can it do for us? 

To answer this question simply, let's look at what branches do to get sales and Lettings instructions, what we call prospecting activity. Prospecting activity is either passive or active. Passive activities are things like leaflet drops, adverts, emails and board presence. 

Active prospecting is identifying potential landlords and sellers and calling them or knocking on their door! In the past this meant using the phone book and the electoral role but nowadays there are more high tech solutions that can supplement and enhance these vital activities, activities which still need to take place in the branches and have to be embedded in a way that they become habits like never before. 

While on the subject of the branches, during 2016 we intend to focus on building our branch teams like never before. This will mean special attention being given to the leaders who we will empower as by teaching them how to recruit  their own people using up to date tools and methods like LinkedIn, rather than remaining dependent on centralised recruitment as in the past.

We will also be introducing simpler, more conventional management and sales training, as well as recognition and remuneration systems aimed at attracting, managing, developing and rewarding the right kind of people in and to our business.

I also want to say something about customer service, this department has an affect on the whole company and as such I am committed to making it a best in class solution in 2016, one that takes full advantage of the changes in technology and automation that are now available and creates a service of which we can all be truly proud.
 
You will all be aware of 'The Hub' and what it has been doing to gain additional sales valuations for our branches. What has made 'The Hub' possible is the availability of large numbers of potential vendor details for any area we want to prospect into. 

So we now have access to all the properties on the market with our competitors but also all the properties that have been identified as most likely to sell in the coming year. What this means is we have the chance to build a relationship with these potential sellers before our competitors even become aware of them.

What this means as far as sales is concerned is that as the market shrinks around our competitors, we have the ability to expand our market at the touch of a button. The more data we buy, the wider the area we cover the more cost effective we are. 

This strategy will enable us to capitalise on the shrinking market and use our established  brand image to break into new territories without the costs of opening new offices. We will become a hybrid agency combining all the benefits of traditional agency with the huge marketing reach of the new online offerings thus enabling us to outflank them both.

We can also apply the same Hub principles to both Lettings and Investments. In both these divisions we already have vast untapped databases and 'The Hub' will enable us to activate these databases and turn them into additional business opportunities. 

Staying with Lettings and Investments, there is great synergy between these two divisions and in 2016 we will be placing a property investment Advisor in all our bigger branches in order to make our wider investment proposition available to our local landlords.

I would also like to say something specific about Investments. Towards the end of 2015 we have begun a transition process which will see Investments turn from a product driven boutique business with limited growth prospects, to a fully scaleable advisor led business with unlimited potential. If you don't work in investments and want to know more about these exciting changes feel free to speak to one of our Advisors, they will be delighted to tell you more.

I would like to conclude by telling you all about my wider plans, plans that will see our investments division go truly nationwide and our Primary tenancy become the new standard model for the Lettings industry. 

Ever since I started Choices in 1989 I had ideas which I wanted to change and improve the industry, there have been many ups and downs since then but I have never lost my passion to make a positive difference and finally I believe we are in a position to make a start.

I said earlier that in 2016 we would see the start of a process whereby our unique ideas like Investments and the Primary Tenancy would literally change the face of the industry, well let me explain how this is going to happen.

Some of you will know of the close relationship I have developed with Zoopla and of my involvement with Angels Media, the publishers of Estate Agent Today and Letting Agent Today. 

Before Zoopla came on the scene I had a great relationship with Findaproperty and it was Findaproperty who agreed to allow us to advertise our Investments proposition to a wide audience which enabled us to build such a large database of investors.

This relationship carried on with Zoopla and 2016 will see them launch what we are comparing to the 'Secret Escapes' of estate agency through our Investments division. Effectively what this will mean is that participating agents will be able to send out details of a reduced price investment property direct to our Investments database, without reducing the headline price on Zoopla. 

Because we are act as buyers agents in Investments, if we make a sale for the participant agent our client gets a good discount, the vendor makes a sale and it costs the agent nothing, a win win outcome for everyone. 

If this pilot succeeds it is intended to extend the service by putting into place the technology whereby participating agents will also be able to sell the investment properties of other agents by becoming representatives of ours thus giving Investments immediate nationwide coverage.

This is a truly innovative initiative and will bring property investment into the mainstream with us at its centre. We will be providing our representative agents with training and support as well as services such as central asset management including our Primary Tenancy and our rent guarantee.

Thus, for the first time agents all round the country will be able to offer their investor clients a comprehensive property investment service even if there are no suitable investment properties in the local area and even if they don't have a Lettings and management department of their own.

In addition to becoming representatives of Investments, Angels Media will be offering member agents a range of additional added value services including the ability to licence the Primary Tenancy for their own use in return for a monthly subscription. Thus Angels will be acting as a distribution channel for our unique ideas.

So there you have it, my plan to deal with change is to supercharge our prospecting using big data, supercharge our recruitment using LinkedIn, supercharge our customer services using cutting edge technology, supercharge Investment with a new business model and nationwide distribution and  supercharge the branches by empowering our leaders and embedding active and passive prospecting habits once and for all. Oh yes and let's not forget this, to create a vast network of agents paying us subscriptions to use our unique ideas and changing the whole industry for the better in the process!

I was once told that if you want to be a gun fighter you need to learn to pull out your gun aim and fire without moving your hand, if you can't learn to do this never take up gun fighting because you will get shot. 

It may seem obvious but the moral of this story is you have to learn to win in your head before you even start, that's what I do, so in my mind we have already achieved the plan, it's now just a question of the formality of acting it out in real life!

I realise that this is a lot to take in and you may be justifiably asking yourself 'what does all this have to do with me, where do I fit in'? Well, the answer is it has everything to do with you, provided that is you want to be part of a dynamic growing company, one whose mission includes ensuring we offer our people the chance to earn what they are truly worth and reach their full potential, then you will fit in very well!

By sharing my plans with you I hope you will be inspired to come with me on this journey and together make the changes we are all facing into the biggest opportunity of our careers.

Thanks for everything you have done in 2015 and for everything you will achieve in the coming year

Happy Christmas 


Simon Shinerock








Saturday, 12 September 2015

Open Letter to Jeremy Corbyn

Dear Jeremy

Congratulations on winning the Labour Leadership. I don't support Labour, I'll explain why in a moment but I do support authenticity and I believe you are Labours first authentic leader in decades. I'm sure you agree you have Ed Miliband to thank for your unexpected and meteoric rise. If you think about it though and I'm sure you have, immediately the power to elect the leader was handed to the party membership, an ultra left leader was inevitable.

Of course as we both also know, socialism does not work, it does not create a fairer less unequal society, it wrecks economies and steals personal freedom and aspiration. So it would be nice if you could explain why you intend to give it another try if you become Prime Minister. From my perspective I see an intelligent man with a genial if slightly eccentric persona who has spent his life indulging his student fantasies. I see someone who has become an expert at pointing out the many problems faced by our society.

What I don't see is any track record of success at anything. I see nothing to indicate that you have a single viable solution to make our society better and innumerable signs to say that if you get to power you will make it much worse. I'm not proposing to write a long treatise on this observation but I will give you one example applied to myself.

I am 58, I started with nothing and I have built businesses from scratch that currently employ around 130 people. If I carry on I think I can grow the business faster now and within the next five years employ over 1000 people, I can't guarantee it but I intend having a go. In your world I don't need the money and in mine it's not really about the money, I'm already pretty well off but if you take away the money I won't bother and it gets worse. Not only wont I bother to try to complete my plans if you become Prime Minister and introduce higher taxes, I will leave the country and take my wealth and creativity with me as well. Oh, I forgot to say that as an innovator, that over the years I have had a significant positive impact on the industry in which I work and that without me it would be a poorer less vibrant place.

That's enough about me, I hope you don't think me selfish or misguided but you probably do. If you are wondering why I want all that extra money when I have said I won't benefit from it I can give you an answer. Like most entrepreneurs, I want to rule, not to be ruled, I accept the necessity of government but I do so reluctantly and I want as much freedom as I can possibly get which means the freedom to do what I want to do with the money and wealth I create, not have government allow me to create it and then take it away because someone like you thinks they know better than someone like me.

So Jeremy, take my reaction and times it by the thousands of Doers out there. The Doers who have created all the countries success, the Doers who will do exactly the same thing as me, stop trying and leave, you can see how your attempt to create a fairer less unequal society will merely lead to a poorer less creative one. The only saving grace is that by being elected you have consigned your party to the scrap heap of history, if I'm wrong about that, well Marbella beckons I suppose. 

What makes me uncomfortable right now though, is that I don't trust the conservatives either and you have made them stronger bolder and less opposed. They are just the least worse party and not the best option, that was the coalition, or better still a National Government. Hopefully one day we will come up with a better system than the one we have at the moment but I won't hold my breath, after all unlike you I'm a pragmatist not an dreamer. In the mean time I will get in with my plans.

Once again Jeremy congratulations on your victory. 

Saturday, 29 November 2014

12 Step Story Writing

Step 01 

Story Creation Step 1 should reveal the following:

PERSONALITY AND ACTIVITY OF THE HERO

The main character ("Hero") is in his/her world (the "Ordinary World") doing the things (s)he normally does. At this point the Hero is not engaged in the activities that will encompass the rest of the story. Through this everyday activity, the Hero's personality is also revealed. 

Keep in mind that the Ordinary World of the Hero can be presented through some ordinary activity, the typical condition of the Hero, or even the Hero's normal state of mind. Of course, what's "normal" or "ordinary" for the Hero is relative. In some cases - especially fantasies - the Hero's "Ordinary World" might, to us, be quite extraordinary.

NB Where a Specific Story-Creation Step describes the Hero as being at "home”, "home" can be interpreted broadly. 

Examples of Personality Revelation

* In A Christmas Carol Scrooge is a mean, grasping old man, without any charity in his heart. 

* Dorothy in The Wizard of Oz is a dreamer who wants to get away from her life and escape beyond the rainbow. 

* In Star Wars we quickly learn that Luke Skywalker is an innocent devoted to helping his parents. 

INTERACTION

The Hero interacts with the Hero's Helpers who populate the Ordinary World.

Examples of Interaction

* Scrooge's nephew invites Scrooge to a party, to which Scrooge is determined not to go.

* Dorothy interacts with the travelling showman (who later becomes the wizard in her dream) and the farmhands (who become the scarecrow, tinman and cowardly lion). 

FORESHADOWING

There is just a hint of the "Extraordinary World" that the Hero will be entering in the future. This hint will have something to do with the Hero's Antagonist, though usually the Antagonist is not yet introduced directly.

Examples of Foreshadowing

* In A Christmas Carol, that hint is revealed by the fact that it is Christmas time, the anniversary of the death of Scrooge's partner (and Antagonist), Jacob Marley. 

* In The Wizard of Oz, Dorothy meets the real people who will later become, in her dream, the scarecrow, tinman, cowardly lion and wizard, all of whom are elements of the Extraordinary World to come. 

* In Star Wars, Luke is at home leading a very ordinary existence when he first discovers Artoo-Deetoo - the hint of an Extraordinary World. 

MOOD AND CONTEXT

Story-Creation Step 1 should be a masterly crafted prelude, presenting all the motifs that will later, bit by bit, scene by scene or page by page, be tied together. 

In a sense, Step 1 should suggest an imbalance in the Hero's World, an imbalance that, by the story's end, will be corrected. 

Examples of Mood and Context

* In A Christmas Carol, Scrooge is shown at his counting house. Christmas cheer and forgiveness (the Antagonists) are all around him.

* In The Wizard of Oz, Dorothy is shown in Kansas, dreaming of a world 'somewhere over the rainbow’. 


TIMELINE

The scenes in this step should take up about two percent of your story. (NB: For a 256-page novel this amounts to around five pages.) However, this is a guideline only; your story's need is the final decision maker. 

Step 02 
CHALLENGE

Story Creation Step 2 should focus on two main scenes or sequences of scenes:

1) Point of Attack

The Hero is presented directly with the "Extraordinary World". In theatre terms, this Step is sometimes referred to as the "Point of Attack" (or "P.O.A.”). 

Something from the Extraordinary World (usually the World of the Antagonist) is witnessed or experienced by the Hero that is a kind of challenge, or call to adventure. 

Keep in mind that there are a number of ways in which the Extraordinary World might be presented to the Hero. It may come in a new activity, something that causes a change in the Hero's ordinary condition, some significant gain or loss in the Hero's life and so on. 

2) Initial Reaction and Ultimate Response to Point of Attack
In almost all Plot Category stories the Hero willingly accepts the call to adventure with little if any hesitation. 

Examples of Point of Attack and Reaction/Response

* In A Christmas Carol, Scrooge sees the face of Marley's ghost on the door knocker. When he is unable to find Marley behind the door, he responds, "Bah. Humbug”. 

* In Star Wars, Luke sees the projection of the Princess, who begs for Ben Kenobi's help to save her. This having excited his curiosity, Luke begins inquiring about what has happened to Ben Kenobi. 

* In Hamlet, various guards and a friend of Hamlet tell Hamlet that they have seen his father's ghost, the late king. Hamlet agrees to meet them later to see the ghost for himself. 

TIMELINE
The scenes in this step should take up about six percent of your story. 
MENTOR

Story Creation Step 3 should focus on:

1) MEETING MENTOR/HELPER

In Plot Category stories, the entire step is the Hero's meeting with a Helper, or Helpers, who will assist the Hero in resolving the major issue of the story. 

Although the Mentor advises or befriends the Hero, (s)he does not usually accompany the Hero on the "journey”. (Remember, all stories are journeys or adventures, broadly speaking. A story can be a literal, physical adventure, or it can, for instance, be a spiritual, psychological one.) 

Perhaps the most famous example of a Mentor is Merlin from the King Arthur stories. Mentors are, in fact, often Shape Changers, who have magical powers, either figuratively or literally. 

EXAMPLES

* In A Christmas Carol, the ghost of Marley is Scrooge's Mentor. 

* In Star Wars, Ben Kenobi, Luke's Mentor, explains to Luke the significance of Artoo-Deetoo's message. Initially, however, Luke refuses to answer the "call" and fight the Empire; so he turns back home. When, on his return, he finds that his village has been destroyed by the Empire he changes his mind and accepts the call to adventure. 

* In Great Expectations, Miss Havisham is Pip's Mentor. 

* In Hamlet, the ghost (Hamlet's father and Mentor) tells Hamlet how his brother (Hamlet’s uncle) murdered him to obtain the throne. Hamlet listens willingly. 

TIMELINE

The scenes in this step should take up about five percent of your story

Step 04 
HE EDGE OF ADVENTURE

Story-Creation Step 4 is the Step at which the Hero's "journey" is about to begin. The Hero is at the edge of the adventure, the edge of the Extraordinary World of the Antagonist. This Step includes some event, planning, preparation or other experience that sets up the first major turning point of the story (to come at the next Step). 


EXAMPLES

* In The Wizard of Oz, Dorothy is thrown into space by a tornado.


* In Star Wars Luke enters the bar on the edge of the galaxy. 

* In Great Expectations, Pip sets off for London to be trained to be a gentleman. 

TIMELINE

The scenes in this step should take up about 10 percent of your story. 

Step 05 
POINT OF NO RETURN

Story Creation Step 5 should reveal the following:

The Hero at the Point of No Return and Committed to the Journey

Step 5 is the step at which the Hero steps squarely into the World of the Antagonist. He or she is at the point of no return and committed to the journey ("crossing the threshold"). 

Wonderment, Eagerness and Anxiety

The Hero is fully in the midst of a different, wondrous, perhaps fearful, World. At this Step, the story should bring out clearly the Hero's reactions to the Extraordinary World, especially to those things that would cause wonderment - and perhaps fear - in the Hero. 

Activity of the Antagonists' Helpers

The Hero comes in contact with many of the Antagonist's Helpers but not generally or substantially with the Antagonist. Although the Antagonist might appear - at least symbolically - for the first time, at this stage the focus is clearly on the Antagonist's Helpers, not the Antagonist. 

The story shows how the Antagonist's Helpers go about carrying out his/her wishes and generally how they interact with the Antagonist. To a slight degree at this point, the Hero may interact with the Antagonist. Although the Antagonist is not yet the story's focus, his/her goals should begin to be explained at this stage. 

EXAMPLES

* In Moby Dick, Ahab speaks to the crew about the White Whale, indicating that this is no ordinary journey. 

* In Star Wars, Luke arrives on the Death Star, where he meets its crew and the Emperor. 

* Anna Karenina makes her fatal decision to have an affair. 

TURNING POINTS

Step 5 is the first major turning point of the story. If we think of a story as having three acts, this is the transition to Act II and what all the preparation up to now has been about. 

Some teachers refer to the previous [first] quarter of the story as Exposition and this point as the beginning of Development. 

Caution: Good stories never make the mistake of having the Hero appear suddenly in a new place for no obvious reason. They do not, in other words, change their plot at this Step. The plot must continue its logical progression. 

TIMELINE

The scenes in this step should take up about three percent of your story. 

Step 06 
TESTS BY ANTAGONIST'S HELPERS

Push and Pull
Story Creation Step 6 is the Step at which the Hero is in a near-continuous "test" with the Antagonist's Helpers. 

The Hero's Learning Process
In Step 6, the Hero is, in whatever sense fits your story, being tested. Through those tests – and through the tests to come, especially in Step 7 – the Hero begins a gradual, subtle learning process. A process that will lead to a major change or discovery later in the story. 

This could amount simply to the Hero discovering more about what is going on: for example, who his/her enemies are, who his/her friends are and generally how things work in the Antagonist's World. 

Show, Don't Tell

Try not to tell your audience most of what happens; instead devise scenes that show the tests and the beginnings of the learning process. 

EXAMPLES
* In Star Wars, Luke, with his Ally Hans Solo, faces various challenges from Darth Vader's Helpers. At this stage, however, Luke has no direct contact with Darth Vader, the Antagonist. 

* In The Wizard of Oz, Dorothy and her Allies (Scarecrow, Tin Man, Cowardly Lion) face constant challenges from the Witch's Helpers. The Witch (an Antagonist) appears only occasionally. 

TIMELINE
The scenes in this step should take up about 22 percent of your story. 

Step 07 
TESTS BY ANTAGONIST

Push and Pull II

Story Creation Step 7 continues the testing period begun in Step 6. The Hero is now, however, facing a number of challenges and difficulties coming directly from the Antagonist, while the Antagonist's Helpers are largely in the background. 

The Hero's Learning Process Continues

As in Step 6, the Hero is still being tested, by whatever means. Through the tests, the Hero continues a very gradual and subtle learning process, a process that will lead to a major change or discovery later in the story. 

Show, Don't Tell

Again remember, try not to tell your audience most of what happens but rather to devise scenes that show the tests and the beginnings of the learning process. 

EXAMPLES
* In Star Wars, Luke, with his Ally Hans Solo, faces various challenges directly from Darth Vader (the Antagonist) as well as from his Helpers.

* In The Wizard of Oz, Dorothy and her Allies (Scarecrow, Tin Man, Cowardly Lion) face challenges directly from the Witch and the Wizard as well as from the Witch's Helpers. (Remember, the main Antagonist is the Land of Oz, which manifests itself through its Helpers as well as through the Wicked Witch, her Helpers and the Wizard.) 

TIMELINE

The scenes in this step should take up about 11 percent of your story. 

Step 08 
ntroduction

Story Creation Step 8 completes roughly the middle of the story (what some refer to as "Development"). It is both the personal-crisis moment for the Hero and the point of near-triumph for the Antagonist. 

PERSONAL CRISIS FOR THE HERO

Since the Antagonist has gained an overwhelming advantage over the Hero in his/her ongoing "tests" in Steps 6 and 7, the Hero is now facing the darkest time. The Hero suffers either a serious reversal of fortune or a confrontation with death itself. 

It is, in short, the personal-crisis moment for the Hero. (At the end of the story, of course, there is also a crisis, but generally that will be a plot crisis - the final resolution, as it were, of the elements that have been building all along - not a personal crisis.) 

Up until this time there have been many conflicts – that is what makes for a good story – however, in all those instances, the Hero and the reader, has a sense of hopefulness. Even though the Antagonist and the Antagonist's Helpers have constantly been creating difficulties for the Hero, the Hero hasn't given up, or even pretended to give up ... until now.

In Epic and Character stories, this is a building moment for the Hero, who will be forced to choose between one lifestyle and another (the actual choosing comes in the next Step). It is the set up for a radical change in the Hero's will or attitudes. In this Step, though, the Hero thinks he or she has failed, or committed some unpardonable sin and has, seemingly, no good choice. 

NEAR TRIUMPH FOR THE ANTAGONIST

Since the Hero is in the darkest and most fearsome parts of the Antagonist's (Extraordinary) World, Step 8 is, not surprisingly, the Step at which we'll get to know the Antagonist personally. Interwoven throughout this Step is the presence of the Antagonist and the Antagonist's World. 

Only the external nature of the Antagonist should be revealed; there should be no sympathy or psychological observations. 

EXAMPLES

* In Gone With the Wind, Rhett parts with Scarlett, who has what amounts to an obsession to go home (the Ordinary World). When she arrives, however, she finds that that World has become part of the Extraordinary World, where her home and way of life was destroyed by the war. Her problem, therefore, is to learn from the Antagonist how to live in this new, changing world - but that is yet to come. 

* In A Christmas Carol, Scrooge is shown his grave by the Ghost of Christmas Yet to Come. Although he was intellectually convinced by the first two ghosts, this moment frightens him most of all. 

TIMELINE

The scenes in this step should take up about 12 percent of your story. 

Step 09 
INTRODUCTION

Story Creation Step 9 begins what some teachers call the "Resolution" section of the story (in the "three-act system" this is the final part). It is so-named because the story is now leading directly to a major resolution that will, at least to some degree, resolve all the controversy that has been building from the beginning. 

This is the most important Step in any story, for it is the stage at which the Hero bounces back from the depths of despair and gets a second chance, a new lease on life. This Step should reveal the following: 

Profound Change in the Hero
The Hero's "new knowledge" is more directly practical and the Hero's "new lease on life" is more literal and immediate. That is, the Hero gains some knowledge, not about him/herself so much as about the immediate predicament. That knowledge allows the Hero finally to break loose from his/her bonds (immediate problems, obstacles, etc.) and win the day. The Hero's fortunes have changed; the tide has turned. 

The Most Remarkable Qualities and Strengths of the Hero

At this point the most remarkable qualities and strengths of the Hero should be brought out. These qualities and strengths could be superhuman qualities or some special abilities that cause the most important plot development in the story. 

Thwarted Aims of the Antagonist

The events and actions occurring at this Step should illustrate how the Antagonist has faltered in some way so as to allow the Hero to win. 

A New Stage

This Step should bring the Hero to a new stage at which the Hero now has at least a fighting chance for the final confrontation with the Antagonist, which is to come in Step 11. 

EXAMPLES

* In A Christmas Carol, Scrooge completely rejects his former self. 

* In Hamlet, by watching the reactions of the current King to the play within a play, Hamlet realizes that the murder of his father, the former King, was not a figment of his imagination. 

* In the Old Testament, Job is reconciled to God. 

* In the New Testament, Paul accepts Christ. 

TIMELINE


The scenes in this step should take up about three percent of your story. 

Step 10 
READY FOR THE FIGHT

INTRODUCTION

Story Creation Step 10 is generally a setting up of the confrontation to come in the next Step. It usually focuses on some or all of the following three main scenes or sequences of scenes. 

Transitional Incident or Recounting (Optional)

In many stories, Step 10 can begin with a short incident or a recounting of events by the Hero. This explains how the Hero got from the point of the major change (in the previous Step) to his/her current situation. It may be very short – and in some stories it may not even occur. Take as an example, Hamlet relating how pirates rescued him from one of the King's plots against him and then set him ashore. It is short, but it sets the scene.

Note that in some stories (most Intense Love stories, for example) the confrontation, which normally begins at the next Step, may be so long that it needs to begin at this Step. In such instances, this Step might start with only a very short confrontation set-up scene (if it has one at all) before beginning the confrontation. 

A Sequence in which the Hero is preparing for Confrontation with the Antagonist

The majority – if not the entirety – of this Step is devoted to readying the main characters for the confrontation, which will begin immediately in the next Step. 

The Hero may have a renewed sense of confidence and, therefore, may be particularly busy preparing for the confrontation. As an example, in The Wizard of Oz, Dorothy returns to Oz to make the Wizard keep his promise. 

A Sequence in which the Antagonist is Preparing for Confrontation with the Hero

The Antagonist, now desperate, is preparing for a confrontation with the Hero and is, perhaps, pursuing the Hero. (Note that some stories may not require an actual pursuit here - even though some Story-Type outlines may refer to a "pursuit”.) 

Remember, the Antagonist has in the previous Steps had all of his sophisticated plans and efforts thwarted by the Hero. The Hero has been winning lately in spite of - and often because of - the Antagonist's best efforts. The Antagonist, therefore, might now conclude that the only way to deal with the Hero is to remove him/her - in some cases this will mean to kill the Hero. Thus this Step always gives the sense that the stakes are now very high. 

TIMELINE


The scenes in this step should take up about 11 percent of your story. 

Step 11 
CONFRONTATION

This Step should focus on only one sequence of events:

Confrontation of the Hero and Antagonist in a Life or Death Struggle

Story Creation Step 11 is the Step at which the Hero confronts the Antagonist directly. Although the Hero may have had other dealings with the Antagonist in past Steps, this time the Hero has already made his or her critical choice. So this confrontation marks the Hero's public display of their new confidence and knowledge about the circumstances. The fight marks the Hero's general proving of him/herself and his/her application of what has been learned. 

This Step is the resolution of all the plot development to this point. Therefore, this Step is not so much about the character as it is about the plot. The Hero has already had his/her personal, or character, Transformation. Now (s)he has simply to take action to resolve the general challenge that the Antagonist has been presenting from the beginning.

This Step is usually the most exciting of all. There is normally a chase sequence or other major plot development involving the Antagonist. 

Examples

* In Hamlet, the battle ensues between Hamlet and Laertes, culminating in Hamlet's killing the King. 

* In The Wizard of Oz, the Wizard has difficulties granting Dorothy's wishes for her friends, but finally solves their problems. Then, he tells Dorothy that he can get her back home, travelling in a balloon, if she clicks her magic shoes together while reciting the words "There's no place like home”. 

The Antagonist as Sympathetic Figure

There should be little, if any, sympathy for the Antagonist. Love Stories are, however, the exception to this, since something terrible usually happens to the Antagonist – the Hero's lover.

"Death" of the Antagonist

Often, a result of the confrontation is the "death" of the Antagonist. Note that, although the "death" might be a literal death, it can also be only a symbolic one, referring, for example, to the Antagonist's loss of power or control over the Hero. For example, in order for the Wizard of Oz to grant Dorothy's wishes, he must "die", that is, reveal himself as who he is and no longer be a wizard. 

TIMELINE

The scenes in this step should take up about 10 percent of your story. 

Step 12 
RESOLUTION

The final Story Creation Step, Step 12, is composed of two main parts:

1) Final Resolution of Conflict

The final conflict is resolved - which takes up most of this Step. 

2) Restoration of Balance/Return to the Ordinary World

The Hero physically returns to the Ordinary World after the final resolution. Unlike the beginning of the story, however, where the Hero's World was, in some sense, out of balance, the Hero’s problems have been eliminated and the Ordinary World is no longer troubled. 

Endings: Happy or Tragic

There will always be a happy ending. This is the primary step where you make clear the Category of your story. 

EXAMPLES

* In The Wizard of Oz, the balloon in which Dorothy was supposed to travel, pulls away by mistake, leaving her alone. Her friends say they'll adopt her, but all she can remember are the words: "There's no place like home”. She then returns to Kansas (awakes from her dream), having gained the knowledge that There's no place like home. 

TIMELINE


The scenes in this step should take up about five percent of your story. 

Saturday, 18 October 2014

Musee D'Art et Métier

When Mary-Anne said she wanted to go to Paris on the way to Marbella I must confess to being less than excited. However, as a good husband I felt that it was only right for me to indulge my wife once in a while. :-) For some reason, my memories of Paris are a combination of the Eiffel Tower, which we parked beneath in our caravan when I was a child, I remember the angry Gendarmes and a general grey dreariness, which originates from a fleeting visit about 30 years ago.

As is so often the cas with me, when I am expecting little I get a lot, conversely when my expectations are high disappointment inevitably follows. What Paris was in my memory created a low expectation that enabled my recent experience to soar way beyond where it would otherwise have reached. Perhaps the city, like London, has undergone a transformation in recent years, or maybe I was unlucky on my previous visit, whatever the reasons though, I found the city, outer hotel and the places I visited, utterly enchanting.

We stayed at a small hotel in the St Germaine district called the Da Vinci, apparently some if his art was stored their in the war. The first myth that was broken regards French aloofness, the staff could not have been more felicitacious, they were kind,meatiest and funny, it wouldn't have mattered if the hotel itself was Mediocre, it wasn't, it was charming and meticulously presented, but nevertheless it was the way we were treated that made it special.

This kindness and humour was far from the exception, it was the theme running through our visit and the thing that surprised me the most given the bad rep the place has managed to gain in this department. We walked 12 miles in two days, saw many sights, tasted many flavours but the pinnacle of the visit came on the second evening when Mary-Anne went to a special healing mass and I was allowed to wander on my own.





Tuesday, 14 October 2014

Dark Flow

     The "Dark Flow" & Existence of Other Universes --New Claims of Hard Evidence 

I just 'fascinated' my wife back to sleep with this one. 
I watched this programme last night, it was very interesting, to me at least. It was examining the observation that galaxies spin too fast at their outer edges, at least they spin faster than they should according to the standard model of physics that is supposed to explain everything.
The way the standard model becomes more exact is by coming up with theories to explain these anomalies, theories that produce equations, which make everything add up again.
This methodology lead to the realisation that to add up, there needs to be five times more stuff in the universe than we can see. All this stuff has to be somewhere and eventually scientists realised what I concluded years ago, that there is no such thing as empty space, space has to be made of something we don't understand. Once they adjusted the standard model in this way everything added up again but there was still a problem and I will admit to not making this connection by maths, although I have using much simpler logic.
The problem is that the Big Bang no longer works, unless the 'dark flow' came from somewhere outside our universe, which then leads to the idea that this dark flow is responsible for the creation of infinite universes. My observation was that something cannot come from nowhere and nothing, therefore it has to come from somewhere and something. In the case of the Big Bang this means somewhere else because it didn't come from here. What that somewhere else is, is subject to endless speculation, maybe it is a bubbling multiverse but my theory it is a lake of infinite energy that exists outside of time and space, I like to think it is a benevolent self aware entity, if I only had a name for it.


Thursday, 9 October 2014

The Lettings Revolution

A revolution could be about to sweep through the Lettings industry

Nowadays we all take the residential Lettings market for granted, however, it has not always been thus. Comparatively recently, there was no residential Lettings market to speak of.

The whole thing started as a direct result of reforms made in the housing act 1988 but even then the market didn't start to grow strongly until 1995. The 1988 act created the Assured shorthold tenancy, the cornerstone of the private Lettings market in that it guarantees a landlord can reclaim their property at the end of a tenancy.

Before that the rent acts introduced by Labour meant that Landlords would loose possession to protected tenants on controlled rents, this legislation had reduced the private rental market to a negligible percentage of UK households.

However 1988 also marked the start of another massive housing and mortgage crisis. Without funding Lettings could not grow but with the eventual introduction of buy to let mortgages, the market took off and now accounts for nearly 20% of all households with more growth on the way.

So, given this amazing growth in Lettings, unsurprisingly there has been an equal growth in the number if Lettings agents out there. Lettings remains an unregulated business with some as agents doing a great job and others not so much so.  Landlords need to be discerning in their choice of agent if they are to avoid the many pitfalls and risks that are the flip side to the enormous financial attraction of bring a private landlord.

Now however, one agent has created a new business model for the Lettings industry, a model which purports to have major significant benefits for Landlords, tenants and agents alike. We have seen a preview of a brochure describing this new business model which is called the Primary Tenancy and is available to Agents under licence through Angels Media publishers of Estate Agent Today and Lettings Agent Today.


We must say that it seems to do what it says in the tin and be a well researched and piloted system. In essence the Primary Tenancy is a refined version of the profit rent model that has done the rounds in the Lettings market for several years. With a profit rent, the agent becomes the Landlords tenant and sublets at a. Profit instead of charging commission. The big difference with the Primary Tenancy is that they have refined the model cleverly and thought through the very beneficial consequences to all parties to the transaction.

For example take rent guarantees, these used to be generally available tomLandlords through their agents but not any more. Since insurance has been regulated, most agents have either stopped selling rent guarantees or resorted to offering them in an unregulated and potentially illegal way. This problem is completely solved with the Primary Tenancy. As the agent is the tenant,the terms of payment are down to the Tenancy agreement and can of course provide for a rent guarantee. The agent can then take out their own policy to offset the risk.

We asked Nat Daniels the CEO of Angels Media to comment on the rent guarantee 'the beauty of the primary tenancy is it's flexibility with the agent able to offer the landlord a rent guarantee within the contract, or leave the liability for rent with the sub tenant with no regulatory obstacles in the way'

Rent guarantees are not the only benefit if the Primary Tenancy. There are many other advantages which come onto play if fir any reason anything goes wrong. For example because the Landlord is the agent there is no need for the tenant to know the personal contact details of the superior landlord. Equally if the tenant has to be evicted the agent can act without having to directly involve their client in the proceedings. The landlord is also protected from any failure to adhere to the deposit protection rules and from some of the more heinous aspects of the health and safety rules.

On the other hand there also appears to be benefits to the tenant who ends up dealing with an experienced professional landlord who is aware of and committed to meeting their obligations towards their tenants.

As far as the agent is concerned, in addition to the considerable marketing advantage of being able to offer a more comprehensive service than their conventional competitors, they also benefit from a financial edge because profit rent is not liable for vat, translating either into more competitiveness or more profitability.

The model has been piloted since 2008 by a well respected and established Lettings agency with several thousands of properties under management and having used the system which has successfully been tested on court and by the property ombudsman on many occasions.

It is not often that an innovation like this has the potential to change an entire industry but this does seem to have that potential, comparing the conventional agency model to the primary tenancy starts to feel a bit like comparing the modern motor car yo a horse and cart.

Wednesday, 8 October 2014

Adapting to change - Time to get off the fence

What the future holds for property investment 



If you are not careful you will look back and realise you sat on the fence during one of the most astonishing and significant shifts in wealth seen in this country since the second world war, a shift out of which you could have emerged a big winner.

Before you start wondering, no, we are not predicting a property crash but the proverb is still appropriate if we apply it to the buy to live Market. Without betraying the writers age, when I were a lad, first time buyers were generally in their twenties and usually bought with a 100% mortgage. This was well before the dark days of irresponsible lending at that time banks would lend 100% and keep the loan not sell it on, they were protected for up to a 20% loss by what was called a mortgage indemnity policy paid for by the buyer. 

All the above nostalgia aside, the latest statistics show that last year 66% of new households were rented not purchased! 66%! that is an absolutely society changing number. Tenants are lining up to rent property like never before because they can't get the deposit to buy. 37 is now the average age of a first time buyer buying without parental support, soon it will be over 40.

Yet property prices have not dropped significantly and in many cases have gone up. If you read these missives regularly you might remember a prediction we made that buy to let lending would ease as lenders became more attracted to it as less risky and onerous than lending to live. Well we were bang on the money and it is already possible to borrow 85% on a buy to let and experienced landlords are being actively courted by lenders keen to get a piece of this rapidly growing, low risk Market.

So if you are sitting up there on your fence wistfully wondering when you will be able to buy your first home, forget about it, rent a property to live in and use the money you have saved to buy to let before this opportunity of a lifetime passes you buy. In the old days my parents encouraged me to get on the property ladder and work my way up. These days that means buying your first rental property and building a portfolio. With our help you can do exactly that and use the profits you generate to buy that ideal family home currently beyond your grasp.


Finally we would like to say something about what has happened and will continue to happen to personal wealth and living standards as a result of our Governments decision to pay back the countries debts accrued  during the years leading up to the credit crunch.

On average, most people have seen their real incomes fall back to levels last seen in 2005, and we think this trend has only just started. By the time we have put the economy back on a viable footing we for see that the average person will be earning the same in real terms as they were at the turn of the millennium. This will represent the greatest reduction in real living standards ever recorded. To some extent at least this change will reflect a transfer in wealth, power and influence from the Western economies like us to new emerging powerhouses like China, India and South America. Whatever the reasons, inflation and below average pay rises will mean a lot of people will have to readjust their expectations when it comes to prosperity.

Paradoxically, change is the only constant feature in our society and in the end, long term success depends more than any other factor, on our ability to adapt to change. This means being able to exercise  vision, to see what is in front of our noses and act on what we see. 

Sometimes an industry is ended by change, like coal mining,  Sometimes an industry changes in a way that means you have to adapt, like what has happened to the property market today. Either way it is our capacity to perceive change, to predict it's consequences and to take steps accordingly that determines whether we are harmed by, or benefit from it.

So what are you waiting for, react to the changes that are happening around you and be a winner in a changing market, join us and join a growing community of ordinary people set to make extraordinary gains from the seismic shift we are all going through.  

The Secret of The Secret




We are all energy and everything we ever want is also pure energy. The realisation of this fact may lie at the heart of understanding 'The secret beneath the secret' the one alluded to by Dale Carnegie and his Protege Napoleon Hill   as well as William Walker Atkinson and other members of 'New thought' 

'The Secret' is famously sited as a variation of 'the law of attraction' positive attracts positive etcetera,  or 'we become what we think about the most' the idea is that if you totally desire something the Universe will deliver it to you good or bad.

But really this is a bit of a dead end for most people because it does not explain how to get yourself into the mind state of total desire, the state that lies at the heart of its effectiveness.

When I was a child I discovered a formula by observation that can in effect synchronises your desire, or even more, your essence, with the essence of the object of your desire. This synchronisation process in effect turns you into a magnet for the thing you want and if that thing exists it will be pulled inexorably towards you and if it does not exist, well, the Universe will simply create it for you. 

This process would appear to work both positively and negatively and to work for events like weather and politics as well  as for people, lovers, friends and of course for money and power.

As a child, I turned the process of obtaining this incredible mind state into a formula, I remember it seemed quite long so I created a short code to remind me of the steps. As a child I did not fully realise it's significance or think to write it down or imagine I could forget it but of course I did.

Years later I heard about 'The Secret' and realised it hinted at my childhood discovery but I also knew it to be incomplete. I have spent years thinking about what my child self noticed without being shown and I have tried many times to recreate the formula without success. 

Although in my own life it appears I still have the innate ability to use the forgotten formula, mainly on trivial things like glasses or favourite sandals, more significantly on homes, property and career. What I have not been able to do is focus on anything, a Super-yacht for example and know unequivocally that I will have it in a certain timescale.

So in summary 'The Secret' that 'you become what you think about the most' though true is ineffective and frustrating because it leaves out an essential step. The essential step is how to get into the correct mind state to make it work, this is the revelation I have had today.

What I still do not have is the exact formula to give you, the formula that will allow you, at will to convert yourself, through a set, reliable, repeatable process of thought, into the irresistible force that will give you anything you want, make people do anything you want, on demand.

However, I feel that I'm on the right track and instinctively I feel that although the formula seemed long and complicated to my childish self, it is probably a fairly simple series of steps. 

I do have one reservation though and that is whether, as an adult, I and more generally we, can accept the power of the steps, to believe in them enough to make the transition necessary to truly make them work and 'become what we think about the most' we will see.