Friday, 5 December 2014

San Kalpa

Darkness fell like a heavy velvet curtain and as if on cue, the stars of the southern hemisphere pieced the jet black night sky, their glory unhindered by the ubiquitous veil of light pollution which is the hallmark of civilisation. This transformation was however lost on Peter and Sarah as they focused on piloting their small hire car along the suddenly claustrophobic confines of Caves Road.

Caves road was what passes for the main road linking the small settlement of Yallingup with the famous surfing town of Margaret River in the South West of Australia. Margaret River also being the general name for the area which had over the past thirty years become known as a region of fine wineries and restaurants, as well as a playground and retreat for the wealthy stressed out citizens of Perth, Western Australia’s largest and only big city.
 
Earlier that day Peter and Sarah had visited Dunsborough, another small township and had been surprised and delighted to find an amazing Yoga centre, recently opened and financed by a rich refugee from back home in England. In addition to offering the usual yogic mix of meditation and impossible stretches, Sumadra also offered surfing lessons, its own range of clothing, and a coffee bar that served the best coffee, smoothies and scones either of them had ever tasted. Jool’s, one of the owners also enthused about the gardens they were planting and the retreats they were holding.

Peter and Sarah got so carried away with the updated hippie vibe of the place that they booked into a talk about nutrition which started at 5.30pm and didn’t finish until after 8pm, which was why they were so late going to dinner and why they had become so hopelessly lost on their way to Vasse Felix, a famous winery and restaurant which was to be the venue for the evenings culinary adventures. To make matters worse, from their limited experience of the past three days, the whole place closed down after about 10 o’clock and that was on the weekends! So they were both beginning to have serious misgivings about their decision to stay for the talk, misgivings that were amplified by the growing rumblings from their empty tummies.

‘Can you believe that woman’? Peter muttered the comment under his breath as if addressing no-one in particular.

Sarah sighed, her natural patience being tested by her growing hunger and the slight anxiety which she could feel building inside her head, revealing itself in the form of a low level but persistent throbbing in her temples.

‘Don’t you think though, she was a complete joke wasn’t she’? Peter’s tone had become more focused and demanding, something Sarah had experienced on countless occasions during their 13 year relationship and ten year marriage, she sighed again, accepting submissively that a response had been demanded and one would have to be provided. All the same, although she knew full well that Peter had a point, after all the woman weighed in at about 100 kilos and she was advising the audience to live on grasses, green smoothies, raw food and, to supplement vitamin B12, by eating insects, or at least their larvae as found in tree grown fruit.

Even the over generous Sarah could see that this large Russian lady was at the very least a little bit misguided and at the worst influenced and motivated more by her book sales than any real commitment to the ideas she preached with her mouth and contradicted with her body. Still, there was something in Sarah that was unwilling to criticize or condemn anyone, even in the face of overwhelming evidence of their guilt. She therefore took a long deep breath before giving her reply.

‘I thought she was very sincere, and a lot of what she said made sense, when we get home I’m going to buy a blender and try out those green smoothies they looked really good for you’

Peter let out an incredulous sarcastic guffaw, a reaction he involuntarily had in response to one of Sarah’s patented perverse opinions. He realised why Sarah was defending this woman, simply because he was attacking her but this did not, could not excuse the perversity, the suspension of rational thinking and so, as in so many similar cases he could not prevent himself from knee jerking into the next phase of what was turning into a mild argument.

‘You have got to be kidding haven’t you? Don’t you care about those poor children, the ones that were screaming all the way through the presentation, their parents were there for good advice on nutrition and now they will spend their formative years eating bugs, have you no compassion’?

The biggest thing that kept Peter and Sarah together, despite the fact that they were polar opposites was the fact that Peter made her laugh and that despite his intense, highly strung nature, he displayed a rare empathy towards the world in general and her in particular, an empathy which was mixed with a carefully hidden self deprecation often disguised as subtle humour. 

‘I know what you mean Peter, some of what she said was hard to swallow’ there was a small pause while they considered her statement before simultaneously bursting into a fit of giggles. 

The Kangaroo seemed to appear out of nowhere and even if Peter had been fully concentrating on the road ahead, there would have been no way to avoid the collision, Sarah had just enough time to let out an ear piecing scream, something she always did when startled but in this instance the scream was rendered slightly comic as it was clearly mixed with the last vestiges of her giggling fit. To give him his due, Peter reacted with lightening speed, stamping on the brakes in a split second, the ABS doing its job of pulling up the corolla in an unfeasibly short distance. He wasn’t going very fast either, he had learned on previous visits to WA that speeding was not an option if you wanted to keep your licence and so he had been religiously keeping to 5K under the 90K limit.

Nevertheless, the Kangaroo gave him no chance, it just stood there, its small head framed in the headlights, its eyes betraying not fear but confusion, if only it had given a little hop, it would have hopped out of harms way but instead it just stood there dazzled, or mesmerised by the unexpected bright light. The impact when it came was a bit of an anti climax, especially after Sarah’s scream, Peter had done such a good job of breaking that the animal had merely bounced of the offside front wing and the car had come to a halt without running it over.

For a moment they both sat in silence, weighing up the situation in there different ways, Sarah was over her concern for herself and Peter and was now considering the plight of the poor animal. Peter was trying to remember if he paid the extra for collision waiver insurance. This moment of indecision was short lived; Peter knew that he had to get the car and the Kangaroo off the road if another more serious accident was to be avoided. He deftly moved the gear shift into reverse and manoeuvred the car quickly but carefully onto the hard packed dirt shoulder which lined the highway.

‘Wait here’ it was an order but his tone was full of concern not just authority, Sarah was happy to do as she was told, she did not relish the idea of having to deal with a hurt of dying animal and was happy to leave such work to her husband and protector.

Peter could see straight away by the vacant look in its eyes that the Kangaroo was dead. It was a mid sized specimen but up close it still seemed enormous. As he dragged the carcass to the side of the road Peter could feel his empty stomach contracting and his head spinning as the residual warmth of the creature washed over him, as if he were being bathed in the Kangaroo’s departing soul.

Satisfied he had done his duty, he shuddered and focused on pulling himself together, he knew that Sarah would be rattled badly by what happened and although she would not show it now, there would be a grief reaction in days to come. It was up to him not to make light of the tragedy but by staying calm, somehow to minimise its affect on his sensitive caring wife.

Peter got back in the car trying his best to appear composed and calm; he closed the door gently and waited, knowing that Sarah needed to speak first so that she could feel part of what had happened and not just a spectator to it.

‘Is it’? The question hung in the air like a plea for clemency disguised as an accusation.

‘Yes, but at least it didn’t suffer and with a bit of luck a local restaurateur will be passing by, mind you, I’m so hungry I thought about eating it myself’

Once again Sarah could feel normality returning, she knew Peter was shaken up by what had occurred but he was steadfast in his role as her shield and she loved him for it.

‘What about the car’?

Peter smiled, ‘Luckily it’s a hire car, so every cloud has a silver lining. I really am hungry though what about you’? Distraction, the most effective technique of avoiding difficult issues, he had learned it from Sarah and now he was putting what he had learned to good use.

‘Maybe we should go home, its getting late and I don’t think we are going to find anywhere open’ By home, Sarah was referring to the Surf Shack they had rented on Smith’s beach, well it was called a surf shack but really it had all mod cons including air conditioning and a flat screen TV, but no food.

‘No way, I’ starving and if we go back now neither of us is going to get any sleep, let’s carry on a bit further and if we don’t find anywhere we’ll have to head back’

Sarah considered putting up a fight but she was hungry as well and there was nothing they could do about the Kangaroo.

‘OK then but if we don’t see anywhere in five minutes we go back’

‘Yes mistress, anything you say mistress, your wish is my command’

Peter was pulling out onto the road even as he quipped, gunning the little hatchback and sending up a cloud of unseen red dust into the cooling night air.

Within what seemed like only a couple of klicks, they were surprised to see the lights of a good sized building appear over the horizon. Peter took a deep breath and involuntarily began holding it, as if by refusing to let the breath go, he could somehow hang on to his conviction that this building would be a restaurant and by some effort of his own will it would be brimming with good food and lively people.

Sure enough, the closer they got the more it became obvious that they had somehow hit pay dirt. It was indeed a restaurant and somewhat remarkably, it did seem full of people and it exuded an unexpected aura of sophisticated gaiety which somehow clashed with its rural semi civilised surroundings.

‘It will be full’ Sarah only realized she had spoken her thought when the sound of her own voice jolted her out of her melancholy reverie.

‘That’s right, lets be optimistic’ this time Peter’s humour fell flat, he understood how she felt but sometimes Sarah’s pessimism, no not pessimism, fatalism, grated on his positive nature.

The restaurant was called ‘Salninas’ and it stood on a slight promontory at the corner of Caves road and a small, siding leading to an unknown winery. Peter was a little surprised not to have heard of it, he had read the local guide cover to cover and he would have remembered the name. This slight misgiving was quickly overwhelmed by hunger and by the energy which seemed to be pulsating through the place. Even at a distance it was clear that it was full or near full, plus he could make out a grand piano in the corner with a live pianist, which for these parts, represented professional entertainment.
 
‘I know, it will be full but humour me will you’ Sarah, despite the events of the night was herself captivated by the place and was starting to look forward to a night out, after all that had happened they could both do with a little light relief, she found herself crossing her fingers expectantly.

‘I’ll stay in the car and you ask’ she felt that the less significant they made themselves the better the chance of success, Peter on the other hand was having none of it and anyway he wanted to keep her by his side.

‘No, you’re coming in with me, let’s go’. Sarah was a bit relieved to be going with him, she was still spooked by the Kangaroo and the thought of staying in the car alone sent a shiver down her back.

Peter turned into the entrance and entered the spacious car park. It registered as a little strange that there were only a couple of other cars parked there but then again, there were a couple of other entrances he noticed and no doubt he had missed the main car park. Time was however marching on, so thoughts such as these would have to wait.

The reception area was an eclectic mixture of simplicity and opulence which somehow combined to create an atmosphere of carefully contrived Bonhomie. A yellow wash combined with oranges and subtle creams to give the walls the aura of an old French Relais, there were heavy drapes at the windows whose weight came from the padded lining but whose decorative outer layer consisted of fine chiffons and richly dyed silks. There were several well chosen pieces of furniture dotted around, all seeming to blend perfectly, while a closer look revealed the inconspicuous artwork which adorned the walls and completed the illusion of unforced taste and easy style.

At the counter stood a man wearing a formal uniform of black suit and bow tie, he was a tall man with a full head of hair greying at the temples but jet black otherwise. Peter immediately felt he looked a little bit contrived and wondered if the effect did not owe itself to judicious use of hair dye. Also, he couldn’t hep noticing faint traces of make up on his face, the greasy kind used in stage plays and designed to highlight an actors features under harsh lights.

These observations were made mainly at a subconscious level, consciously; Peter was focused on making a good impression to give them the best chance of securing a table even a t this late hour. The man greeted them with a perfect smile, a smile which revealed a too perfect set of teeth which themselves looked a bit too predatory for comfort. 

‘I know its late, but I was wondering if you had room for two more for dinner tonight’ Peter made sure he kept eye contact while at the same time trying to sound confident but not too demanding.

‘Well sir’ The mans voice was formal but he sounded friendly which was a good start, the only slightly off putting thing was his eyes, he was looking a bit two intently at the couple, as if he were sizing them up for a suit of clothes, the effect was disturbing an a primitive level and caused Peter to shudder involuntarily.

‘As I am sure you can see, we are very busy but you are in luck, we have had a late cancellation from a party of two, so if you are ready I can show you directly to your table.

During these formalities Sarah was hanging back, letting Peter take the lead as usual, as the man behind the counter emerged to take them through to their table, Peter turned towards her and noticed a strange unsettled look in her eyes. He gestured for her to follow him and waited while she caught up, he was again slightly disturbed by the way she clung on to his left arm and placed her body closer to his than she normally would, in public anyway.

The Maitre D because this is the title Peter had bestowed upon their host, emerged from behind the counter and silently led the way out of the reception area. Instead of emerging into the dining room, they entered an inner hallway decorated with the same care and attention to detail as before. Off of this inner hallway there were two open doors and several closed ones. Directly in front of them was the entrance to the main dining room where Peter and Sarah could see the other guests and hear there animated conversation above the background music coming from the grand piano.

However, it was through the doorway to the right of the main dining room that the Maitre’ D beckoned them. Anticipating the objection, the man turned and smiled encouragement.

‘ You are very fortunate, this is our VIP room, very romantic, tonight it was to be the scene of a marriage proposal, usually it is booked months in advance’ His voice trailed off and a wistful look entered his light blue grey eyes. After an overlong pause he continued, his voice sounding rather forced.


‘Please, sit down and relax. Can I get you a pre dinner drink? You hostess will be with you momentarily’

Despite themselves, Peter and Sarah started to relax, Peter ordered a Gin and Tonic and Sarah asked for her usual glass of house red, an indulgence she rarely overlooked or went beyond. When the Maitre D  left the room they looked at one another and smiled as if to say, ‘what a lucky find’. When their waitress arrived with their drinks and a couple of menus, she was a female version of there host, dressed in a traditional formal French uniform, her white hair tied up in a neat bun and secured on her head by diminutive lace coronet.

There was something about the atmosphere of the place that seemed to subdue their natural inhibitions; it was the décor, the music and the setting, all of which combined to create a kind of Bohemian environment in which you could not help feeling slightly elated. Peter started telling stories about his school days, funny stories that Sarah had heard a hundred times before but on this night they were funnier than usual, Peter himself was more engaging and Sarah felt her inhibitions melting away. She felt herself embracing her femininity in a way she rarely did while sober; in spite of herself she started to feel sexy. Things were going well yet there was something not quite right, it was as if despite the apparent perfection of their surroundings there was something hidden, something unsavoury, a presence lurking in the shadows which just occasionally, peeked out to stare at them carnivorously.

As their waitress served a complimentary Hors Derves which she proudly announced as a grapefruit and sangria mousseline with a paprika and pumpkinseed biscuit, Sarah decided it was time to visit the little girl’s room. Peter was used to this timing, Sarah always seemed to disappear in such circumstances, usually it was just as their plane was called for boarding, or the ferry was coming into dock. Occasionally Peter considered the possibility that Sarah did it on purpose as a kind of attention seeking behaviour. Normally she had little or no ego so it was possible that she chose her disappearing moments to distract his attention from compelling outside events and focus them back on her. It was true that he always felt a little nervous when she went off in new places, he had a strong protective instinct and there was always a feeling of anxiety that would build as the minutes went by, only to be relieved when she reappeared, apparently unaware of his concern.

Tonight was no different, as the minutes ticked by, Peter ran out of ways to distract himself, he had reviewed the room in detail, scrutinised the cutlery and the china, noting their quality and fineness with grudging appreciation. When Sarah had still not returned he started shifting in his seat, it was as if there was some kind of external force which had taken over his body, compelling him to get up and go and look for her. Then, just as the urge became unbearable, she reappeared and he felt relief flooding through his mind and body. It all suddenly seemed ridiculous, like some kind of residual insecurity left behind fro his childhood when his mother lost him in the supermarket. He smiled at Sarah and lent forward as she sat down and squeezed her hand.

For some reason though she did not return either the squeeze or the smile, this was strange, Sarah always reciprocated in such circumstances unless something was wrong.

‘What’s wrong’? He demanded, ‘You were gone ages’ 

Despite the exasperated tone of voice, he was genuinely concerned and had she told him what was bothering her he would have taken it seriously but unfortunately for both of them she did not. Her sweet nature that thought ill of no-one, could not process the information fast enough. If he had asked her the same question the next day she would have been able to explain her misgivings, but for the moment she could not, for the moment she would suppress her intuition and pretend that everything was normal when deep down she knew it was far from normal, very far indeed.


‘Nothing is wrong’ She forced a smile but he could see through it, ‘everything is fine, everything is lovely, I’m having a lovely time’. She repeated these last words like a mantra, a positive affirmation and it seemed to work because her smile became real and warm and Peter was semi satisfied, at least for the moment, although he made a mental note to probe further in the morning though. Then as if to confirm her decision to deny the obvious qualms she was experiencing, Sarah reached for the delicate glass of frothy liquid placed in front of her.

‘Cheers carnation madam’ she giggled at the words that echoed from her childhood, even now she had no idea what they meant.

Peter hesitated for a moment, checking his wife’s eyes one more time for warning signs. Seeing none he too raised his glass.
‘Cheers’ he repeated as they sipped the concoction suspiciously.

Their fears about the taste were unfounded, it was truly delicious, unlike anything either of them had ever tasted. Somehow the chef had managed to conjure up a complex blend of flavours that were at the same time refreshing and comforting, savoury and sweet with a hint of something else, something hidden, purposeful.

The nagging concern in Sarah’s eyes reappeared, she put down the glass half empty and wiped her mouth, she looked intently at her husband as if she wanted to say something but was unable to put her thoughts into words.

‘What’s the matter Sarah, I know something is up just tell me what it is’ Peter had also placed his glass in front of him unfinished and his voice betrayed the growing exasperation he was feeling, somehow this evening was going off the rails, he didn’t know why but he could feel it churning around inside of him.

Finally Sarah seemed to find her voice. ‘It’s just that’ another pause, ‘it’s just that when I went to the toilet, I looked into the dining room and it’s the other guests’ again she seemed lost for words.

‘Yes, the other guests, what about them’ Peters exasperation was growing, as was the strange feeling in his stomach which had now reached his forehead causing it to throb rhythmically, muddying his thoughts and making his head spin.

Sarah to seemed to be struggling to keep focused, her eyes were starting to wander slightly and for a moment she seemed to forget what she wanted to say. Then as if by some kind of superhuman effort of will she managed to steady herself and her voice became clear and decisive.

‘The other guests Peter, they are not real’ 
‘What do you mean they aren’t real?’ Peter could hear the slur in his voice now.
‘They aren’t real Peter, they are just dummy’s’
 
Suddenly all the vague feelings of disquiet, the seen but un-deciphered anomalies began to make sense. This place was wrong, these people were very wrong, Peter was now sure that somehow they had wandered unguarded into a nightmare. Out of the corner of his blurring vision Peter could see their host and hostess had entered the room and were standing side by side, looking expectantly at their guests, smiling the smiles of the clown you never wanted to meet, the one who inhabited the darkest recesses of your mind.

The room was spinning in front of Peters Eyes, he tried to focus on Sarah, to cry out, warn her but it was too late, as he lost consciousness, his last thought was ‘they aren’t the only ones who are dummies’ and then there was only blackness.

Ending One


Alternative ending

When he awoke Peter felt like a lead weight was pressing down on him. His first thought was that he had eaten something that hadn’t agreed with him and in this he was at least partly right. His second thought though was not even a bit right because he was not lying in his bed back at the Surf Shack; he was not lying down at all. As his eyes started to focus and the fog in his brain started to clear, Peter realised he was sitting upright staring across at his beautiful serene wife. Except it was her but it wasn’t her at the same time. The familiar features were carefully posed, tinted with unfamiliar rouge, she wore a smile that was too vivacious, too thrilled to be real and in her right hand she held a full glass of champagne, a drink that Sarah would never choose for herself.

The sight of Sarah momentarily distracted him from his own situation which now gradually stole back his attention. He was completely paralyzed; the only parts of his body that he could move were his eyelids and his chest which had begun heaving up and down alarmingly as his respiration first reached normal and quickly accelerated into hyperventilation. Peter could feel the restriction growing in his chest with every breath, the pain came through so sharply it felt like he imagined a heart attack would feel, life threatening. Every sinew in his body was straining at over 100% trying desperately to break free of whatever prison he found himself in. The more he strained, the harder he tried to breath, the worse the pain became, he was experiencing a panic attack, a primitive fight or flight reaction brought on by a terror that threatened to send him back into unconsciousness.

Then, just as he felt that his heart must explode, the adrenalin surge began to subside and the rational part of his mind started to reassert itself. He had come right to the brink of insanity, the point past which there can be no return and he had pulled back at the last moment. Panic he realised was not going to get him out of the situation in which he found himself, what’s more it was not going to help save Sarah who he realized must be in the same situation as he was. With an effort of will he settled his breathing, he remembered a passage in the yoga book he had browsed through in Dunsborough, that said the secret of controlling your mind and body was all in the breathing.

Deep breath in, count five, long breath out, count five, repeat, extending the count to ten, five more breaths, in through the nose, out through the mouth. 

Peter could feel his heart rate slowing down and his senses becoming more acute again. He could smell the delicious aromas of freshly cooked food, he could hear the laughter and chatter of people having fun and he could make out every feature on his wife’s face. Except it was not really her face, just a brilliant facsimile. He would have believed that what he was looking at was a waxwork from Madam Tussauds except for one minor detail, the eyes, they were moving, flickering left and right until they met his and held steady.

Instead of panic, or pleading, what he saw in those eyes was reassurance and calm, a kind of compassion and acceptance, a true kind of faith that soundlessly said ‘I love you, I trust you, don’t worry about me I am OK’ At this moment Peter realised that his wife was the real deal, nothing like those bible bashing hypocrites who spoke of love thy neighbour and pursued lives of bigotry and hate, Sarah’s face was genuine and transcendent, it shielded and protected her from anything the world could serve up no matter how evil and now it was radiating out of her towards him, trying to protect him to.

Focus, he had to focus, Sarah may be in this world but not of it but he could not be like that, it wasn’t in him. He needed to be more practical, he needed to think things through, there was a way out of this, they were still alive and there had to be a way out, he just needed to find the exit. Again his mind returned to Dunsborough, to the yoga café and to the book he had chosen to read, if only he had read it more carefully; he was sure the answer lay somewhere in its pages but he couldn’t pin it down, it remained just beyond his grasp.

Deep breath, count of ten, exhale, count of ten, repeat, again and again Peter went through the exercise until gradually he drifted into a dream like state between sleep and wakefulness, a place he had only ever been before for a few fleeting moments but where now he found himself floating, free of physical limitations, free even of the bonds of time and space. It was as if he had reached a place where he had become a concerned but dispassionate bystander, able to weigh things up without emotion or fear.

They had been taken prisoner that at least was clear. It was also clear that whatever they were encased within was far stronger than wax. In his heightened state of consciousness, Peter could detect the faint smell of resin, a smell he was familiar with from his model making days. He concluded that they were in some kind of cold cast, probably made in pieces from of a plastic composite and held together by the kind of glue they used to hold the wings on aeroplanes. If this were true then the cast would be strong, too strong, Yet there was something, there was something in the book, if only he could remember then maybe there was still a chance, still some hope, if only he could remember. 

‘San Kalpa’, the phrase echoed in his mind and seemed to open a hidden doorway.

Gradually, like parts of a metaphysical jigsaw puzzle pieces of the idea started to take shape in his mind. Finally the answer came, not from one source but from many, an idea so powerful that it had inserted itself into all religious and secular philosophies, an idea with the power to save them, if only he could reach out and use it.

In Yoga the idea of ‘San Kalpa’ took the form of a repetitive mantra of positive intentions, in transcendental meditation, it manifested itself through group meditation. In the world of business it was called positive mental thinking and of course in religious terms it was called prayer.  Peter remembered something else, ‘Life’s strangest secret is that you become what you think about the most’.  Peter saw the connectivity of all these ideas and in seeing them, found freedom. He found himself leaving his body, looking down at the tomb’s which encased him and his wife, looking at the other two macabre figures of their erstwhile hosts.

‘All perfect now mother what would you say’?

‘Oh yes father, perfect, absolutely perfect’

He saw them turn to one another and smile and turn back towards where he and Sarah were sitting at their table. They smiled and slowly their hands reached out towards one another, entwining in a way that made them look like two innocent school children rapt with excitement. 

Peter was able to observe this scene with a serene detachment he would have believed impossible just a few hours ago but for all his new found control, merely observing was not going to free him or rescue Sarah, there had to more he could do. So he began directing his inner eye towards his prison, he reached out within his own body and allowed himself to interact with every nerve, every sensory receptor on an individual basis. Slowly he traced a path over the surface of the mould into which he had been cast, savouring its surface against his skin, testing its integrity with the tense of a muscle, searching, ever searching for a weakness no matter how small. After one attempt he could find no weakness so he tried again, and again, so many times he tried that he lost count until, as if by the power of his own will he found it. At first he was not sure it was anything, the merest anomaly, a distortion within an otherwise perfectly smooth landscape. He moved in closer, focusing all his thought on this tiny space, closer as if his mind were an electron microscope able to reveal the truth of what it saw at the molecular level.

There was a weakness after all. Under his right arm there was a fusion point where three separate pieces  of the cast were fused together and it was at this point that the structural integrity of the whole was compromised.

Peter withdrew, he became like the ocean tide, his physical strength withdrawing from all parts of his body, sucked away by the gravitational pull not of the moon but of something else just as powerful. All his power coiled itself up into an infinitely small corner of his mind, pulsating and heaving, threatening to turn to chaos and wreak undiscerning destruction. Peter held on, he repeated the words ‘I am free’ over and over again, turning them into fire brands, glowing coals of desire into which he poured the power of his body, its whole power, concentrated and contained by the greater power of his own will and aimed at that one small anomaly, that one area of weakness.

The act of release was like an explosion of bright light in the very centre of his soul. The crack when it came was like the loudest thunderclap he had ever heard multiplied by a thousand and yet to a bystander it would probably have gone undetected. Peter came out of the trance like state and allowed his body to return to normal. His heart rate increased, his body temperature rose and his muscles regained their normal functioning. 

His first waking thought was to ask himself whether what he just experienced had been real or a desperate dream? The answer came through clear and bright, he was already free, he had always been free, it was only his inability to understand that had kept him trapped for so long. He flexed his right arm but this time there was no holding back, this time there was no questioning or doubt, this time the mould broke before he even moved his arm, broken by the unstoppable power of his intention.


Wednesday, 3 December 2014

The Secret of The Secret

We are all energy and everything we ever want is also pure energy. The realisation of this fact may lie at the heart of understanding 'The secret beneath the secret' the one alluded to by Dale Carnegie and his Protege Napoleon Hill   as well as William Walker Atkinson and other members of 'New thought'

'The Secret' is famously sited as a variation of 'the law of attraction' positive attracts positive etcetera,  or 'we become what we think about the most' the idea is that if you totally desire something the Universe will deliver it to you good or bad.

But really this is a bit of a dead end for most people because it does not explain how to get yourself into the mind state of total desire, the state that lies at the heart of its effectiveness.

When I was a child I discovered a formula by observation that can in effect synchronises your desire, or even more, your essence, with the essence of the object of your desire. This synchronisation process in effect turns you into a magnet for the thing you want and if that thing exists it will be pulled inexorably towards you and if it does not exist, well, the Universe will simply create it for you.

This process would appear to work both positively and negatively and to work for events like weather and politics as well  as for people, lovers, friends and of course for money and power.

As a child, I turned the process of obtaining this incredible mind state into a formula, I remember it seemed quite long so I created a short code to remind me of the steps. As a child I did not fully realise it's significance or think to write it down or imagine I could forget it but of course I did.

Years later I heard about 'The Secret' and realised it hinted at my childhood discovery but I also knew it to be incomplete. I have spent years thinking about what my child self noticed without being shown and I have tried many times to recreate the formula without success.

Although in my own life it appears I still have the innate ability to use the forgotten formula, mainly on trivial things like glasses or favourite sandals, more significantly on homes, property and career. What I have not been able to do is focus on anything, a Super-yacht for example and know unequivocally that I will have it in a certain timescale.

So in summary 'The Secret' that 'you become what you think about the most' though true is ineffective and frustrating because it leaves out an essential step. The essential step is how to get into the correct mind state to make it work, this is the revelation I have had today.

What I still do not have is the exact formula to give you, the formula that will allow you, at will to convert yourself, through a set, reliable, repeatable process of thought, into the irresistible force that will give you anything you want, make people do anything you want, on demand.

However, I feel that I'm on the right track and instinctively I feel that although the formula seemed long and complicated to my childish self, it is probably a fairly simple series of steps.

I do have one reservation though and that is whether, as an adult, I and more generally we, can accept the power of the steps, to believe in them enough to make the transition necessary to truly make them work and 'become what we think about the most' we will see.


A Long Way Distant In The Haze

A long way distant in the haze
There is a house that calls you home
The simple path becomes a maze
And through its pathways you must roam

The walls are high as shadows fall
And all you know is what you feel
Just memories of a lighted hall
But are you sure your dreams are real

For if you once lay down to rest 
And close your weary eyes to sleep
accept that you have done your best
Throw your sword into the deep

Then never will your journey end
As round and round the maze you go
Never will your heartache mend
The peace of home you will not know

So wake my friend cast off your fear
Have faith in what is ever true
For only then the fog will clear
And the gates of home will welcome you

Sunday, 30 November 2014

Profiler











Police deny occult link in suburban district murders
By Steve Connors
Crime Editor

In homicides which took place within yards and hours of one another two suspects were being held by Dallas Police yesterday, one charged with butchering his family, the other with murdering his girlfriend.

In a scene reminiscent of a cult killing Martha Vaughan (42) and her two children, Alice (6) and Stephen (8) were found partially dismembered at their family home in the quiet suburbs of Dallas last Thursday. Patrick Vaughan (48) was being held in custody by Dallas police on suspicion of having committed the triple homicide, Neighbours were shocked by the murders, 63 year old Robert Dashiel, lived next door to the Vaughans for 4 years, ‘they kept themselves to themselves, the children were polite which is unusual nowadays, they seemed the perfect family’ In a cruel twist an unrelated murder took place nearby on the same night when a woman Sharon Willeymeyer 37 was stabbed to death in the street, her husband Jack Willeymeyer, 47 was arrested for the crime which apparently occurred after the couple had a violent argument the cause of which is unknown. Some locals were worried that there could be a cult connection, Thursday was a full moon and is said by some to have been a day of ‘exceptional occult significance’.

It was not the giant hoarding or the poster that caught her eye but the big black crow which sat perched upon it. The Crows eyes stared unblinking into the city scene, sending out what seemed to Jo like waves of despair and hopelessness. With difficulty she tore her attention from the Crow and it settled inexorably on the thirty foot high poster, proclaiming hedonistic bliss in the form of a seemingly magical cocktail and its equally magical, if improbably perfect female consumer. Jo was not the jealous or envious kind, so she was wondering why she found the features of the model so fascinating, when it happened. At first she was so surprised her initial reaction was denial, but then it happened again and there was no doubt, the poster, or rather the model in it winked at her. In that split second her reality seemed like it had been torn apart, her shattered view of the universe exploding out from the picture like shards of broken glass. Then just as she felt that she too would disintegrate into sand and blown to nothingness, normality returned, like the sun breaking through the dissipating clouds of a departing storm. 

As she tried to regain her composure, the Crow turned towards her contemptuously and threw back its head letting out a gigantic caw of triumph; it spread its wings so wide that as it rose into the sky it seemed to blot out the sun, before spiralling down towards her, its beak so wide, that in it Jo thought she saw the seeds of a different reality, staring back at her out of an endless void.

She woke up covered in clammy sweat and shivering pulled the white linen sheets tightly around her body, this was the third time in a week she had had the dream, each time it was more vivid than the last. In her hand she held her grandfathers poem, she didn’t know why but she was certain the poem and the dream were somehow linked. She thought of him as her grandfather, even though they were not really related, at least not by birth. She was an orphan and she never knew her real parents, the man she regarded as her grandfather was her adopted father’s father and through the poem he came to mean more to her than anyone else in her life.

I am the wave on which I travel 
I cannot change my fate
The future and the past unravel
Until the beach on which I break

I am the wave that has no end
I cannot win or loose
But the beach on which I break my friend
Is mine alone to choose

When she was a little girl and just getting over the loss of the tooth fairy and Father Christmas in quick succession, it suddenly occurred to her to question the existence of God himself and to wonder, why we are here and where we are going. She was sitting on her grandfather’s knee and looking up into his wizened face when she asked ‘Does god really exist or is he made up’? And before he had a chance to answer ‘What happens to us when we die’? He lifted her gently from his knee and placed her on the ground in front of him. He looked at her in a way that made her feel her questions really mattered. 

‘Jo’ he said, 
‘Life is not what it seems to be, everything you see, time passing, growing up, and even death itself is all an illusion. Most people will never see through the illusion at all and to them there is nothing beyond this life. No-one can see through it completely but it is possible for some people to see glimpses of the truth and I know that you are one of those people Jo. We must all find our own way through life but I can tell you this; nothing that is can ever truly cease to be. Time is really only a function of our point of view, because something with no beginning and no end cannot be divided into days, or weeks, or years because there can be no percentages of eternity’. 

Later on she would find the poem under her pillow, it was unsigned but she knew who wrote it and why. Occasionally she would question the meaning of the words and wonder if she was reading things into them that weren’t really there at all. It was as if everyone else around her were crippled in a way that made her a cripple, or at least some kind of a freak. Maybe she was some kind of a mutant, able to see things that normal people were blind to, with the ability to see what is really there, not just what is expected. Or maybe she was just mad.

One time Jo took a test she found on the Internet about perception. The person taking the test had to watch two teams, one dressed in black, the other red, playing a ball game where they would pass the ball to one another in an effort to score. The objective was to count the number of passes very carefully and report your result. Jo concentrated intently on the game and counted 19 passes. What she found strange though was the man dressed in the Gorilla suit who walked on to the court in the middle of the game, beat his chest and then ambled slowly off again. Apparently almost everyone else other than her failed to see the Gorilla at all on their first view, apparently it was a well known scientific phenomena and as the web site said reassuringly, ‘don’t feel as if there is something wrong with you if you didn’t see the Gorilla the first time, no-one ever does’

So when Jo saw strange things which no-one else ever did, she was never sure if those things weren’t there, or it was just that it was only her who saw them. More than that, she often felt as if there were other things she could not see, hiding just beyond her field of vision and that if she just opened her eyes wide enough, they would be revealed to her. Then she would remember the Crow and suddenly she didn’t want to open her eyes wide at all, suddenly she felt comfortable with things the way they appeared already.


When it turned out that she had an unusually high IQ and that as a result she qualified for special schooling, it was with a certain degree of relief that she left home for boarding school at the age of eleven. The relief turned to elation when the school she attended seemed to be open to what everyone else had seen as her silliness, the teachers allowed her to explore what they saw as her gifts rather than embarrassing delusion. At the age of eighteen, she was gently pointed in the direction of Harvard where she studied criminal Psychology, during her time there she was approached by and eventually recruited into the bureau although her special duties required her to report to a specialist division specialising in the profiling of serial killers, the kind who might end up as assassins. As a federal agent she knew where her duties lay and she was loyal unto death. Nevertheless as an individual she disagreed with the death penalty for civil cases and therefore working in Texas where Governor Morissey seemed to see it as an everyday deterrent offended her sensibilities. She had profiled seven murderers in two years all of whom had been put to death by Morissey’s hand, seven men whom she had gotten to know better than their mothers. Somehow though she had been able to separate her personal feelings from her professional duty, consigning them to that other dimension to which she had access and from where her powers seemed to come. 

Her job as a profiler had a very practical historically proven purpose whose antecedents went back to Dr Thomas Bond’s observations following the murder of Mary Kelly by the famous uncaught killer we know as Jack the Ripper. Neither were the tricks of her trade reserved for working out the MO’s of mere murderers, Profiling was next used during World War II when the Office of Strategic Services (now the CIA) asked Walter Langer, a psychiatrist by profession, to provide a profile of Adolf Hitler. In the main a profilers success depends on their knowledge of human nature and their ability to make observations which could either link cases to a single person, or more rarely that could help to predict future behaviour. It therefore went without saying that a profiler had to be smart and qualified but it was it was equally accepted that being smart and qualified was not enough to be any good at the job. Arguably if you needed to be trained, you couldn’t do the job and anyone who could do the job didn’t need training. Hence the use by police forces around the world of individuals who may in other circumstances be seen as cranks and weirdoes but then again its’ surprising what even hard bitten cop’s will resort to when they need to find a seven year old boy suspected of having been abducted by a serial child rapist and murderer, yup, suddenly those cranks and weirdoes seem mighty attractive. So what if their success depended on their psychic abilities, so what if they needed to be led to the victim by a naked three hundred year old Indian guide called Tonto, when you were desperate any straw was better than no straw and sometimes, just occasionally they turned up trumps.

To those around her, Joanne Lawless was a slightly hyperactive quirky character who just happened to have an almost uncanny ability to create disturbingly accurate profiles of almost every type of deviant criminal. Her colleagues sometimes wondered what demons lurked beneath her milk and honey complexion and whether the there was a picture hanging up in a loft somewhere the image of which was stained with the evil twisted thoughts which she must entertain to do her job so well. What really made Jo so good at her job were the cracks in reality, the glitches in the program that she could see but that would go unnoticed by everyone else. As a child when she saw glimpses of disturbing things that she didn’t understand, she was scared. Now her job helped to neutralise the fear and to make sense of her gifts. 

Jo was rare because despite being self evidently unusual, she was neither a crank nor a weirdo, she was trained and she had ability, it could be said that given her background and selection she was a national resource. For this reason she was more of less allowed to go where she wanted when she wanted and although she had to report in just like everyone else, her remit was as loose as a goose. Jo Choose Texas because of its history of violence and deviance, she placed her self up front and centre, personally interviewing every sicko who found themselves on death row, if she dressed in black she would have been seen as the angel of death, as it was the wardens and inmates thought of her less as an emissary of doom and more like Rainbow Bright. It is inevitable that even a job like Jo’s eventually starts to exhibit elements of the humdrum, that the mind starts to fill is larger and larger sections of what should be new experience with hackneyed old clips recorded and embedded by past experience. Jo was very aware of this tendency and therefore was at great pains to develop a routine which would ensure her openness to every new encounter so that she would be able to pick up on the unique nuances of the deviant mind, carefully eliciting another piece of the jigsaw puzzle, however small or insignificant, that would somehow reveal the human psyche in all its glory, a bit like the completion of a massive five dimensional Rubik’s cube. It was therefore ironic that it would be this very routine would lead to the very case of intellectual solidification which Jo was trying to avoid. Jo knew it was happening; she could even distance herself in a way and comment on her decline as if she were a disinterested third party. The truth was that it wasn’t Jo who was losing her edge; she had simply hit diminishing returns. With every new case, murder, torture, and every variant thereof slowly began to loose their capacity to shock, new insights became harder to find and there was a danger that, reaching for something which wasn’t really there, she would make a mistake and undermine the value of her work. And her work was valuable, she was already regarded as something of a phenomenon in the bureau although with traditional cynicism the department was waiting for the inevitable come down, the point where their talented enfant terrible finally blows a fuse and has to be dealt with in whatever ruthless way is most appropriate.

Jo was aware of the precariousness of her position and the predatory nature of her employer, she had already decided the time had come to quit while she still could and she had resolved that the Vaughan case would be her last and because it was her last she was determined that it would be conducted by the book, there would be no expectation of last minute revelation or redemption, she was quite happy to bow out gracefully without fanfare and more importantly without drawing any more attention to herself than was necessary. Her competitive nature perceived that in some way leaving the bureau quietly represented winning, more so than rising up through the ranks and becoming one of the grey soulless ghouls who pulled the stings on puppets that had more life than they did. No, Jo did not crave that kind of power, she saw it for what it was, a disease for which there was no cure and she had no intention of exposing herself to infection any longer than was necessary. Looking forward to a life beyond the bureau was for Jo a bit like the inmate of an institution looking forward to being released into the outside world. It was both an exciting and scary prospect in equal measure, Jo realised that for all its faults, the bureau was home for her and those same soulless grey men were her family. She had no particular plan for when she left, she felt it was better to focus on the job at hand until the very end, she hated it when other people coasted, knowing they were coming up for re-assignment or retirement, she had always prided herself on her focus, no matter what the distractions she always got the job done.

Her Interview with Patrick Vaughan therefore came as both a surprise and a challenge. The surprise was caused by her almost inevitable assumption that after interviewing so many killers, that she had seen it all. Despite being aware of the trap, it was almost impossible not to fall into it, this was after all the reason for her deciding to leave. To her credit it took her less than the blink of an eye for the fragile shell of her pre-conceptions to be shattered, there was something about the man, something about the air surrounding him which resonated with wrongness, the second she saw him she knew that Patrick Vaughan would have a different story to tell, if she could get it out of him. A strange thought, a negative thought, she realised suddenly that for the first time she had placed a question mark against her ability and she had done so without her subject needing to make eye contact, never mind about opening his mouth.


Charlie Jackson sat motionless the remains of yesterdays donuts strewn across his disorganised looking desk. It was unusual for Charlie to experience a quiet moment; normally he was ‘action Jackson’ careering from one crisis situation to another with scarcely a second for pensive consideration, far less self examination. Those who knew him well would say Charlie had no truck for the endless band of do-gooders, ambulance chasers and political wannabe’s who followed him and his colleagues around, endlessly hoping to be thrown a bone that would lend meaning to their otherwise meaningless lives. To Charles the world was largely black and white, consisting of ‘perps’ and victims and whilst he accepted that sometimes things weren’t that simple, he was happy to leave the subtle nuisances and shades of grey to those who could give a shit. Today was different though, today something, or rather someone had got to him and that someone was in the form of a small hyperactive female, lawless, the irony of her last name was not entirely lost on Charlie although irony and other such nonsense would be the least of his problems if what she was saying had even a grain of truth.

It was all beyond his comprehension, why would a psychological profiler working for the Fed’s decide to walk their delicately heeled feet all over his personal cabbage patch? To make matters worse it wasn’t as if the woman was unattractive, normally you could tell a Fed from fifty feet by their dead pan expression, matched up close by their uniform like dress sense and total lack of humour and empathy. This woman on the other hand was colourful, yes colourful was the only way to describe her, right from her brightly made up but not over the top face down through her well cut pink twin set and cutsy fruits of the forest handbag, the woman was colourful for Christ’s sake. To make it worse she was also talkative, no more than that she was bubbly, not in an irritating grating way but more in a champagne like effervescent way which made you feel like you were at an occasion. She walked in the room and suddenly the lights got brighter and you became aware of your unshaven chin and two day old shirt, things looked shabby in a way that normally didn’t matter. It was all very disconcerting, disconcerting and ultimately unwelcome, Charlie had no time for it; he had to think of a way of getting rid of this woman before her disarming colourfulness caused him to do or say something stupid.

Jo paced up and down her tiny office with the air of a slightly manic budgerigar, the birds bright plumes replaced with an extravagant Mohair and Cashmere jumper which seemed to take on an almost organic quality as it slid around her trim figure in sync with her movements. She took small but decisive steps, speeding up as she reached the middle of the room and slowing markedly before turning with unerring precision just before bumping into the upcoming wall. This process had been going on for some time and because of the half glass partition separating her office from the rest of the department, she was in full view of around fifty colleagues many of whom regarded her pacing as a welcome distraction from their hum drum duties. More than once there had been a book open on how long she would go on for, or whether she would absentmindedly walk into the wall perhaps breaking her nose and spoiling her teasingly neat features. Finally Jo stopped her pacing, her facial expression changed, taking on a more purposeful look, it was clear that she had come to a decision about whatever it was that was bugging her. She returned to her desk and picked up the phone, carefully dialling a number which she appeared to know by heart.

Governor William ‘Billy boy’ Morissy was in an uncommonly good mood, his usually florid complexion positively glowed with satisfaction as he poked and preened at his reflection in the extravagantly inlaid full length mirror which dominated his boudoir. And why should he not be happy? Today was going to be a great day, he was going to be confirmed as the parties official presidential nomination, he was going to have the unmitigated pleasure of signing the death warrant on not one but two heinous murderers, plus he was all teed up for a great game of golf at his favourite club, life was sweet, yes, life sure was sweet.

When he moved on to the presidency, the achievement Billy Boy would look back at with most pride during his term as Governor of Texas would be the reduction in the time delay from when a death sentence was passed to when it was carried out fro 12 years to 9 months. Yes indeed, not only had he saved the state a shit load of money in keeping the condemned, there was also the time and wasted resources he had freed up in the judicial system, sure he had a few lawyer friends who might disagree but hell, they made enough money anyway. It was crazy keeping killers locked up so long that by the time it came to fry them they had seen the light and were holier than the average citizen, half the time it used to be like executing the local Padre. Yes he’d been criticised for being harsh, immoral even blood thirsty but no-one, not even his aunt Sally could argue with the serious crime figures, which had fallen consistently since his term began. He was on course and in key and no bleeding heart liberals were going to divert him from his mission, when he took federal office the first thing he was going to do would be to expand the policy nationwide, lets see how the lowlifes like them onions.

Standing back from the mirror Billy boy eyed himself up and down approvingly, yes, he had to admit it; he did look sharp, very sharp indeed. The subtle pin striped suit had just enough gravitas, its Italian cut spoke of style and not to mention wealth yet it was in no way ostentatious, the carnation in his button hole was set at just the right angle and as usual it was fresh that morning. Many of his colleagues and political adversaries had mentioned over the years that it was the carnation that was responsible for his phenomenal success and who was he to disagree? It took a certain type of gent to wear a carnation and carry it off, it was his signature and he revelled in it. Then right in the middle of his self congratulatory reverie, his thoughts were interrupted by the ringing of a telephone. Now a man as important as Billy boy had more than one phone, even in his bedroom and this phone was the one he liked to refer to as the bat phone. Yes the young women he sometimes liked to entertain were always suitably impressed when the bat phone rang, especially when he explained that he and only a tiny number of other important statesmen had such a phone. It was totally secure, it could happily take care of a call from the president if need be and discussions of vital importance to national security could take place on it with no fear of eavesdroppers, nope the bat phone was like having a personal line direct to god. But what was it doing ringing now? Who would call him today, knowing how important a day it was going to be? With more than a little chagrin Billy tore himself away from his reflection, casting one last approving glance at his well cut and brushed black hair, slicked back with just the right amount of brilliantine and showing just the right amount of grey at the sides to make him look even more distinguished, yes today was going to be a great day alright, dam straight.

He picked up the phone and stood upright, almost at attention, in his best Senatorial voice he stated his name, William Morissey speaking, there was the briefest of pauses after which Billy boy immediately recognized the soothing tones of his assistant Lance on the other end of the line. 

‘I’m sorry to bother you Governor but I thought you would appreciated a heads up. There’s been a Fed nosing around the office asking questions about the Vaughan killings, she wants to speak to you and she’s pretty persistent’

‘Get rid of her’ Growled William H Morissey, he absolutely hated it when anyone, much less some pushy Fed poked their noses in State business.

‘If she wants any information on the case she can talk to the DA, I’m going to play golf’

There was a slight pause as Lance gathered his courage in the face of the expected rebuttal, he had prepared a response but he knew that if he wasn’t careful the Govenor would flip him off anyway.

‘Sir I don’t think that would be wise, especially given your imminent nomination, I know it’s an irritating intrusion but you know, the Fed’s, we want to keep them sweet’

Billy boy grunted in reply and Lance followed through with the advantage.

‘I’ll tell you what sir, I can fit her in for an 11am appointment, that way she won’t have more than 5 minutes to make her point and you can do a bit of glad handing before sending her on her way, what say you’?

Billy boy thought about it a moment, maybe Lance had a point, it couldn’t hurt to keep the fed’s sweet and five minutes wasn’t long, he was dammed if he was going to let a little thing like this put him in a bad mood on his big day, no he would see the infernal woman, why not, it might be a good opportunity to up his image with the bureau, kind of get them acquainted with their soon to be new boss.

‘Set it up he barked gruffly and slammed down the receiver.

Saturday, 29 November 2014

12 Step Story Writing

Step 01 

Story Creation Step 1 should reveal the following:

PERSONALITY AND ACTIVITY OF THE HERO

The main character ("Hero") is in his/her world (the "Ordinary World") doing the things (s)he normally does. At this point the Hero is not engaged in the activities that will encompass the rest of the story. Through this everyday activity, the Hero's personality is also revealed. 

Keep in mind that the Ordinary World of the Hero can be presented through some ordinary activity, the typical condition of the Hero, or even the Hero's normal state of mind. Of course, what's "normal" or "ordinary" for the Hero is relative. In some cases - especially fantasies - the Hero's "Ordinary World" might, to us, be quite extraordinary.

NB Where a Specific Story-Creation Step describes the Hero as being at "home”, "home" can be interpreted broadly. 

Examples of Personality Revelation

* In A Christmas Carol Scrooge is a mean, grasping old man, without any charity in his heart. 

* Dorothy in The Wizard of Oz is a dreamer who wants to get away from her life and escape beyond the rainbow. 

* In Star Wars we quickly learn that Luke Skywalker is an innocent devoted to helping his parents. 

INTERACTION

The Hero interacts with the Hero's Helpers who populate the Ordinary World.

Examples of Interaction

* Scrooge's nephew invites Scrooge to a party, to which Scrooge is determined not to go.

* Dorothy interacts with the travelling showman (who later becomes the wizard in her dream) and the farmhands (who become the scarecrow, tinman and cowardly lion). 

FORESHADOWING

There is just a hint of the "Extraordinary World" that the Hero will be entering in the future. This hint will have something to do with the Hero's Antagonist, though usually the Antagonist is not yet introduced directly.

Examples of Foreshadowing

* In A Christmas Carol, that hint is revealed by the fact that it is Christmas time, the anniversary of the death of Scrooge's partner (and Antagonist), Jacob Marley. 

* In The Wizard of Oz, Dorothy meets the real people who will later become, in her dream, the scarecrow, tinman, cowardly lion and wizard, all of whom are elements of the Extraordinary World to come. 

* In Star Wars, Luke is at home leading a very ordinary existence when he first discovers Artoo-Deetoo - the hint of an Extraordinary World. 

MOOD AND CONTEXT

Story-Creation Step 1 should be a masterly crafted prelude, presenting all the motifs that will later, bit by bit, scene by scene or page by page, be tied together. 

In a sense, Step 1 should suggest an imbalance in the Hero's World, an imbalance that, by the story's end, will be corrected. 

Examples of Mood and Context

* In A Christmas Carol, Scrooge is shown at his counting house. Christmas cheer and forgiveness (the Antagonists) are all around him.

* In The Wizard of Oz, Dorothy is shown in Kansas, dreaming of a world 'somewhere over the rainbow’. 


TIMELINE

The scenes in this step should take up about two percent of your story. (NB: For a 256-page novel this amounts to around five pages.) However, this is a guideline only; your story's need is the final decision maker. 

Step 02 
CHALLENGE

Story Creation Step 2 should focus on two main scenes or sequences of scenes:

1) Point of Attack

The Hero is presented directly with the "Extraordinary World". In theatre terms, this Step is sometimes referred to as the "Point of Attack" (or "P.O.A.”). 

Something from the Extraordinary World (usually the World of the Antagonist) is witnessed or experienced by the Hero that is a kind of challenge, or call to adventure. 

Keep in mind that there are a number of ways in which the Extraordinary World might be presented to the Hero. It may come in a new activity, something that causes a change in the Hero's ordinary condition, some significant gain or loss in the Hero's life and so on. 

2) Initial Reaction and Ultimate Response to Point of Attack
In almost all Plot Category stories the Hero willingly accepts the call to adventure with little if any hesitation. 

Examples of Point of Attack and Reaction/Response

* In A Christmas Carol, Scrooge sees the face of Marley's ghost on the door knocker. When he is unable to find Marley behind the door, he responds, "Bah. Humbug”. 

* In Star Wars, Luke sees the projection of the Princess, who begs for Ben Kenobi's help to save her. This having excited his curiosity, Luke begins inquiring about what has happened to Ben Kenobi. 

* In Hamlet, various guards and a friend of Hamlet tell Hamlet that they have seen his father's ghost, the late king. Hamlet agrees to meet them later to see the ghost for himself. 

TIMELINE
The scenes in this step should take up about six percent of your story. 
MENTOR

Story Creation Step 3 should focus on:

1) MEETING MENTOR/HELPER

In Plot Category stories, the entire step is the Hero's meeting with a Helper, or Helpers, who will assist the Hero in resolving the major issue of the story. 

Although the Mentor advises or befriends the Hero, (s)he does not usually accompany the Hero on the "journey”. (Remember, all stories are journeys or adventures, broadly speaking. A story can be a literal, physical adventure, or it can, for instance, be a spiritual, psychological one.) 

Perhaps the most famous example of a Mentor is Merlin from the King Arthur stories. Mentors are, in fact, often Shape Changers, who have magical powers, either figuratively or literally. 

EXAMPLES

* In A Christmas Carol, the ghost of Marley is Scrooge's Mentor. 

* In Star Wars, Ben Kenobi, Luke's Mentor, explains to Luke the significance of Artoo-Deetoo's message. Initially, however, Luke refuses to answer the "call" and fight the Empire; so he turns back home. When, on his return, he finds that his village has been destroyed by the Empire he changes his mind and accepts the call to adventure. 

* In Great Expectations, Miss Havisham is Pip's Mentor. 

* In Hamlet, the ghost (Hamlet's father and Mentor) tells Hamlet how his brother (Hamlet’s uncle) murdered him to obtain the throne. Hamlet listens willingly. 

TIMELINE

The scenes in this step should take up about five percent of your story

Step 04 
HE EDGE OF ADVENTURE

Story-Creation Step 4 is the Step at which the Hero's "journey" is about to begin. The Hero is at the edge of the adventure, the edge of the Extraordinary World of the Antagonist. This Step includes some event, planning, preparation or other experience that sets up the first major turning point of the story (to come at the next Step). 


EXAMPLES

* In The Wizard of Oz, Dorothy is thrown into space by a tornado.


* In Star Wars Luke enters the bar on the edge of the galaxy. 

* In Great Expectations, Pip sets off for London to be trained to be a gentleman. 

TIMELINE

The scenes in this step should take up about 10 percent of your story. 

Step 05 
POINT OF NO RETURN

Story Creation Step 5 should reveal the following:

The Hero at the Point of No Return and Committed to the Journey

Step 5 is the step at which the Hero steps squarely into the World of the Antagonist. He or she is at the point of no return and committed to the journey ("crossing the threshold"). 

Wonderment, Eagerness and Anxiety

The Hero is fully in the midst of a different, wondrous, perhaps fearful, World. At this Step, the story should bring out clearly the Hero's reactions to the Extraordinary World, especially to those things that would cause wonderment - and perhaps fear - in the Hero. 

Activity of the Antagonists' Helpers

The Hero comes in contact with many of the Antagonist's Helpers but not generally or substantially with the Antagonist. Although the Antagonist might appear - at least symbolically - for the first time, at this stage the focus is clearly on the Antagonist's Helpers, not the Antagonist. 

The story shows how the Antagonist's Helpers go about carrying out his/her wishes and generally how they interact with the Antagonist. To a slight degree at this point, the Hero may interact with the Antagonist. Although the Antagonist is not yet the story's focus, his/her goals should begin to be explained at this stage. 

EXAMPLES

* In Moby Dick, Ahab speaks to the crew about the White Whale, indicating that this is no ordinary journey. 

* In Star Wars, Luke arrives on the Death Star, where he meets its crew and the Emperor. 

* Anna Karenina makes her fatal decision to have an affair. 

TURNING POINTS

Step 5 is the first major turning point of the story. If we think of a story as having three acts, this is the transition to Act II and what all the preparation up to now has been about. 

Some teachers refer to the previous [first] quarter of the story as Exposition and this point as the beginning of Development. 

Caution: Good stories never make the mistake of having the Hero appear suddenly in a new place for no obvious reason. They do not, in other words, change their plot at this Step. The plot must continue its logical progression. 

TIMELINE

The scenes in this step should take up about three percent of your story. 

Step 06 
TESTS BY ANTAGONIST'S HELPERS

Push and Pull
Story Creation Step 6 is the Step at which the Hero is in a near-continuous "test" with the Antagonist's Helpers. 

The Hero's Learning Process
In Step 6, the Hero is, in whatever sense fits your story, being tested. Through those tests – and through the tests to come, especially in Step 7 – the Hero begins a gradual, subtle learning process. A process that will lead to a major change or discovery later in the story. 

This could amount simply to the Hero discovering more about what is going on: for example, who his/her enemies are, who his/her friends are and generally how things work in the Antagonist's World. 

Show, Don't Tell

Try not to tell your audience most of what happens; instead devise scenes that show the tests and the beginnings of the learning process. 

EXAMPLES
* In Star Wars, Luke, with his Ally Hans Solo, faces various challenges from Darth Vader's Helpers. At this stage, however, Luke has no direct contact with Darth Vader, the Antagonist. 

* In The Wizard of Oz, Dorothy and her Allies (Scarecrow, Tin Man, Cowardly Lion) face constant challenges from the Witch's Helpers. The Witch (an Antagonist) appears only occasionally. 

TIMELINE
The scenes in this step should take up about 22 percent of your story. 

Step 07 
TESTS BY ANTAGONIST

Push and Pull II

Story Creation Step 7 continues the testing period begun in Step 6. The Hero is now, however, facing a number of challenges and difficulties coming directly from the Antagonist, while the Antagonist's Helpers are largely in the background. 

The Hero's Learning Process Continues

As in Step 6, the Hero is still being tested, by whatever means. Through the tests, the Hero continues a very gradual and subtle learning process, a process that will lead to a major change or discovery later in the story. 

Show, Don't Tell

Again remember, try not to tell your audience most of what happens but rather to devise scenes that show the tests and the beginnings of the learning process. 

EXAMPLES
* In Star Wars, Luke, with his Ally Hans Solo, faces various challenges directly from Darth Vader (the Antagonist) as well as from his Helpers.

* In The Wizard of Oz, Dorothy and her Allies (Scarecrow, Tin Man, Cowardly Lion) face challenges directly from the Witch and the Wizard as well as from the Witch's Helpers. (Remember, the main Antagonist is the Land of Oz, which manifests itself through its Helpers as well as through the Wicked Witch, her Helpers and the Wizard.) 

TIMELINE

The scenes in this step should take up about 11 percent of your story. 

Step 08 
ntroduction

Story Creation Step 8 completes roughly the middle of the story (what some refer to as "Development"). It is both the personal-crisis moment for the Hero and the point of near-triumph for the Antagonist. 

PERSONAL CRISIS FOR THE HERO

Since the Antagonist has gained an overwhelming advantage over the Hero in his/her ongoing "tests" in Steps 6 and 7, the Hero is now facing the darkest time. The Hero suffers either a serious reversal of fortune or a confrontation with death itself. 

It is, in short, the personal-crisis moment for the Hero. (At the end of the story, of course, there is also a crisis, but generally that will be a plot crisis - the final resolution, as it were, of the elements that have been building all along - not a personal crisis.) 

Up until this time there have been many conflicts – that is what makes for a good story – however, in all those instances, the Hero and the reader, has a sense of hopefulness. Even though the Antagonist and the Antagonist's Helpers have constantly been creating difficulties for the Hero, the Hero hasn't given up, or even pretended to give up ... until now.

In Epic and Character stories, this is a building moment for the Hero, who will be forced to choose between one lifestyle and another (the actual choosing comes in the next Step). It is the set up for a radical change in the Hero's will or attitudes. In this Step, though, the Hero thinks he or she has failed, or committed some unpardonable sin and has, seemingly, no good choice. 

NEAR TRIUMPH FOR THE ANTAGONIST

Since the Hero is in the darkest and most fearsome parts of the Antagonist's (Extraordinary) World, Step 8 is, not surprisingly, the Step at which we'll get to know the Antagonist personally. Interwoven throughout this Step is the presence of the Antagonist and the Antagonist's World. 

Only the external nature of the Antagonist should be revealed; there should be no sympathy or psychological observations. 

EXAMPLES

* In Gone With the Wind, Rhett parts with Scarlett, who has what amounts to an obsession to go home (the Ordinary World). When she arrives, however, she finds that that World has become part of the Extraordinary World, where her home and way of life was destroyed by the war. Her problem, therefore, is to learn from the Antagonist how to live in this new, changing world - but that is yet to come. 

* In A Christmas Carol, Scrooge is shown his grave by the Ghost of Christmas Yet to Come. Although he was intellectually convinced by the first two ghosts, this moment frightens him most of all. 

TIMELINE

The scenes in this step should take up about 12 percent of your story. 

Step 09 
INTRODUCTION

Story Creation Step 9 begins what some teachers call the "Resolution" section of the story (in the "three-act system" this is the final part). It is so-named because the story is now leading directly to a major resolution that will, at least to some degree, resolve all the controversy that has been building from the beginning. 

This is the most important Step in any story, for it is the stage at which the Hero bounces back from the depths of despair and gets a second chance, a new lease on life. This Step should reveal the following: 

Profound Change in the Hero
The Hero's "new knowledge" is more directly practical and the Hero's "new lease on life" is more literal and immediate. That is, the Hero gains some knowledge, not about him/herself so much as about the immediate predicament. That knowledge allows the Hero finally to break loose from his/her bonds (immediate problems, obstacles, etc.) and win the day. The Hero's fortunes have changed; the tide has turned. 

The Most Remarkable Qualities and Strengths of the Hero

At this point the most remarkable qualities and strengths of the Hero should be brought out. These qualities and strengths could be superhuman qualities or some special abilities that cause the most important plot development in the story. 

Thwarted Aims of the Antagonist

The events and actions occurring at this Step should illustrate how the Antagonist has faltered in some way so as to allow the Hero to win. 

A New Stage

This Step should bring the Hero to a new stage at which the Hero now has at least a fighting chance for the final confrontation with the Antagonist, which is to come in Step 11. 

EXAMPLES

* In A Christmas Carol, Scrooge completely rejects his former self. 

* In Hamlet, by watching the reactions of the current King to the play within a play, Hamlet realizes that the murder of his father, the former King, was not a figment of his imagination. 

* In the Old Testament, Job is reconciled to God. 

* In the New Testament, Paul accepts Christ. 

TIMELINE


The scenes in this step should take up about three percent of your story. 

Step 10 
READY FOR THE FIGHT

INTRODUCTION

Story Creation Step 10 is generally a setting up of the confrontation to come in the next Step. It usually focuses on some or all of the following three main scenes or sequences of scenes. 

Transitional Incident or Recounting (Optional)

In many stories, Step 10 can begin with a short incident or a recounting of events by the Hero. This explains how the Hero got from the point of the major change (in the previous Step) to his/her current situation. It may be very short – and in some stories it may not even occur. Take as an example, Hamlet relating how pirates rescued him from one of the King's plots against him and then set him ashore. It is short, but it sets the scene.

Note that in some stories (most Intense Love stories, for example) the confrontation, which normally begins at the next Step, may be so long that it needs to begin at this Step. In such instances, this Step might start with only a very short confrontation set-up scene (if it has one at all) before beginning the confrontation. 

A Sequence in which the Hero is preparing for Confrontation with the Antagonist

The majority – if not the entirety – of this Step is devoted to readying the main characters for the confrontation, which will begin immediately in the next Step. 

The Hero may have a renewed sense of confidence and, therefore, may be particularly busy preparing for the confrontation. As an example, in The Wizard of Oz, Dorothy returns to Oz to make the Wizard keep his promise. 

A Sequence in which the Antagonist is Preparing for Confrontation with the Hero

The Antagonist, now desperate, is preparing for a confrontation with the Hero and is, perhaps, pursuing the Hero. (Note that some stories may not require an actual pursuit here - even though some Story-Type outlines may refer to a "pursuit”.) 

Remember, the Antagonist has in the previous Steps had all of his sophisticated plans and efforts thwarted by the Hero. The Hero has been winning lately in spite of - and often because of - the Antagonist's best efforts. The Antagonist, therefore, might now conclude that the only way to deal with the Hero is to remove him/her - in some cases this will mean to kill the Hero. Thus this Step always gives the sense that the stakes are now very high. 

TIMELINE


The scenes in this step should take up about 11 percent of your story. 

Step 11 
CONFRONTATION

This Step should focus on only one sequence of events:

Confrontation of the Hero and Antagonist in a Life or Death Struggle

Story Creation Step 11 is the Step at which the Hero confronts the Antagonist directly. Although the Hero may have had other dealings with the Antagonist in past Steps, this time the Hero has already made his or her critical choice. So this confrontation marks the Hero's public display of their new confidence and knowledge about the circumstances. The fight marks the Hero's general proving of him/herself and his/her application of what has been learned. 

This Step is the resolution of all the plot development to this point. Therefore, this Step is not so much about the character as it is about the plot. The Hero has already had his/her personal, or character, Transformation. Now (s)he has simply to take action to resolve the general challenge that the Antagonist has been presenting from the beginning.

This Step is usually the most exciting of all. There is normally a chase sequence or other major plot development involving the Antagonist. 

Examples

* In Hamlet, the battle ensues between Hamlet and Laertes, culminating in Hamlet's killing the King. 

* In The Wizard of Oz, the Wizard has difficulties granting Dorothy's wishes for her friends, but finally solves their problems. Then, he tells Dorothy that he can get her back home, travelling in a balloon, if she clicks her magic shoes together while reciting the words "There's no place like home”. 

The Antagonist as Sympathetic Figure

There should be little, if any, sympathy for the Antagonist. Love Stories are, however, the exception to this, since something terrible usually happens to the Antagonist – the Hero's lover.

"Death" of the Antagonist

Often, a result of the confrontation is the "death" of the Antagonist. Note that, although the "death" might be a literal death, it can also be only a symbolic one, referring, for example, to the Antagonist's loss of power or control over the Hero. For example, in order for the Wizard of Oz to grant Dorothy's wishes, he must "die", that is, reveal himself as who he is and no longer be a wizard. 

TIMELINE

The scenes in this step should take up about 10 percent of your story. 

Step 12 
RESOLUTION

The final Story Creation Step, Step 12, is composed of two main parts:

1) Final Resolution of Conflict

The final conflict is resolved - which takes up most of this Step. 

2) Restoration of Balance/Return to the Ordinary World

The Hero physically returns to the Ordinary World after the final resolution. Unlike the beginning of the story, however, where the Hero's World was, in some sense, out of balance, the Hero’s problems have been eliminated and the Ordinary World is no longer troubled. 

Endings: Happy or Tragic

There will always be a happy ending. This is the primary step where you make clear the Category of your story. 

EXAMPLES

* In The Wizard of Oz, the balloon in which Dorothy was supposed to travel, pulls away by mistake, leaving her alone. Her friends say they'll adopt her, but all she can remember are the words: "There's no place like home”. She then returns to Kansas (awakes from her dream), having gained the knowledge that There's no place like home. 

TIMELINE


The scenes in this step should take up about five percent of your story. 

The real cause and consequences of the Global Financial Crisis

Written as an email newsletter to our property investors in 2008

Are we witnessing the last days of the American Empire, the death of Capitalism and the end of the free market as we know it?

The biggest mistake that is being made in interpreting the cause of the financial crisis is to confuse the operation of the free market with elaborate fraud, let me explain. 

The current story which is being pedalled around is that the de-regulation of financial markets led to unbridled greed within the banking community and this greed produced the highly leveraged toxic derivative financial products which are now killing the world’s financial system.

On the surface this is true but you need to pay attention to get this bit because it is where the political sleight of hand comes in. 

We are being told that it is the free market which has allowed this to happen whereas in reality it is the free market that is in the process of purging the system. 

Let me illustrate the point. One of the essential features of the free market is that it is open and transparent. In other words, when a free market operates correctly, everyone gets an even chance to succeed and those who do are the best at what they do. 
            
The financial markets have been anything but open and transparent, in reality they have been made overly complicated in an effort to hide the true nature of what has been going on, the plundering of our societies wealth for short term gain, this is not the operation of the free market it is more akin to piracy!


Financial smoke and mirrors  

As an example of the way in which financial markets have been manipulated and undermined by the greedy and the short-sighted, let’s take a look at one of the so called sophisticated financial instruments which are being cited as the cause of the instability.

Credit Default Swops    

A merchant bank insider was bemoaning his fate recently and complaining that the wicked hedge funds were deliberately manipulating the CDS market in order to scare the market about their shares while they took out short selling positions and made huge amounts of money as the shares plummeted.

All of this meant precisely nothing to me and although I grieved for him like a lost brother, to be honest I didn’t know what he was talking about. So, out of curiosity I made it my business to find out what CDS’s really are.

It seems that at some time in the last few years one of the ‘creative’ merchant bankers came up with credit default swops as a way of enabling them to lend more money than their capital base would normally allow. 

In essence, as we all know, banks lend more money than they actually have. The ratios for this lending are strictly regulated and are there to prevent a bank lending irresponsible amounts of money. If a bank does lend too much money, there is an increased risk that any defaults on the loans could eat up the banks capital and make them insolvent.

So a credit default swop was invented to get round these capital ratios while remaining inside the regulations. What happens is that a bank lends money to a borrower and then goes to another bank and buys the equivalent of an insurance policy which means if the borrower defaults then the lending bank can go to the second bank to get the money back.

By doing this the first bank can lend ever more money because it has ‘laid off’ the risk of a default with another bank. The only problem is that the second bank is also doing exactly the same thing only they are using the first bank to insure their loans against default, hence the coy name ‘credit default swops’.


To make matters worse, these ‘cdo’s’ were then classified as tradable instruments in their own right, which meant that other banks and institutions could purchase them on the open market. In this way they became a barometer for the creditworthiness of the issuing bank which is how hedge funds were able to use them to spook the market about a particular bank while they were short selling the banks shares.

 In hindsight this might seem a pretty obvious sleight of hand which would have been picked up by the ever vigilant regulators, well it wasn’t and you are left wondering why not.


The Black Swan   

This theory was described by Nassim Nicholas Taleb in his 2007 book The Black Swan and it helps to explain how the financial markets pulled off such an enormous confidence trick. In essence, all banks have to calculate risk when adopting any buying, selling or lending strategy. The assessment of risk is important because it is this process which protects the backsides of the executives if things go wrong. 

In other words they employ highly qualified scientists, experts in risk assessment to tell them that what they are doing is OK. Of course if any of these brain boxes make the mistake of saying that what is going on is not OK then they are promptly rendered unemployable. It’s a bit like getting an expert witness at a trial, what the witness says very much depends on whether they are being paid by the defence or the prosecution.


The idea of the black swan is based on the simple concept of deductive logic. Deductive logic is really precise and elegant and neat but unfortunately it does not tell us anything we don’t already know and so it is totally useless in predicting the unexpected. 

So if we start off with a simple statement called by scientists a ‘hypothesis’ that says ‘All swans are white’ then, if we are presented with a swan, we can say with 100% certainty that ‘this is a swan, therefore it is white’. Of course the problem comes within the terms of the hypothesis itself, it states that all swans are white but it does not say how this conclusion was reached.

The reason for using the example of the black swan is because until the discovery of black swans relatively recently, all observed swans had been white, it was therefore very reasonable to assume if presented with a swan that it would be white but the process of coming to this conclusion is not based on certainty, rather it is based on probability, two very different things.

It therefore follows that if the boffins who create the value at risk models depended upon by banks use deductive logic in their hypotheses to try and bypass the unknown, then all their complex workings will be worthless in the face of just one black swan. 


Not the free Market
So this type of behaviour is not the operation of the free market, it is actually the antithesis of the free market (the exact opposite). Given time it is only the operation of the free market that will provide the catharsis needed to heal and restore order to the system. 


Better Start Learning Chinese

The fundamental cause of the crisis was the irresponsible use of leverage. There is however yet another black swan out there to take into consideration.
Just as the out of control credit bubble had to burst eventually, so the flow of cheap goods from China to the western economies will also exact a high price. Just as our stock markets have crashed the Chinese find their coffers filled with our currency and as we don’t produce anything they want what can they do with the money?

Oh yes, there is one thing they might quite like, how about all our major companies. Yes, that’s right, now our company’s values have fallen so low, the Chinese can come in and give us back some of our currency in return for becoming our economic masters.

Never fear though, our leaders will save us, won’t they? Well probably not, the more disturbing likelihood is that they were all in on the whole scam in the first place. Their argument that no-one could have foreseen this situation is patent rubbish, Warren Buffet saw it, I saw it and countless others saw it too, it was just ‘an inconvenient truth’.

So it’s financial Armageddon then? Which means that property along with everything else will become and remain worthless forever, we don’t think so.


You see just as those pesky Black swans come out of nowhere to spoil the party and suddenly all swans are black, there will also be a white swan which will come out of nowhere and a new party will begin. 

What does this mean for property investment?

The reason we think all this stuff is relevant is to demonstrate how fickle and untrustworthy the alternatives to property investment have proven. The price of the financial turmoil will be paid by the tax payer in the form of higher taxes and lower benefits. What this means is that relying on a pension or the state to look after you in retirement is going to be even more foolhardy than it was before.

Buying property as an investment remains the only way that most people can insure themselves against poverty in old age and now, for a short time at least, we have been presented with a great time to get started. The reason prices have been falling so fast is nothing to do with an oversupply of property, the reverse is true. On our website we receive about 65000 new visitors per month and in the past year we have seen enquiries from tenants increase fivefold. The demand for property has merely leaked into the rented sector and as a result rents are rising and as prices have fallen, this means yields of 7-8% are possible once more and at these yields it is possible to make a profit from the rent, a profit which will grow as interest rates fall. What this translates to is the real possibility of a 20% return on your deposit putting aside long term capital growth prospects. 

The catch is that these favourable buying conditions could end sooner, rather than later, all it would take is the re-introduction of the 100% mortgage and the market would be off and running again. 

Stop Press: ‘Government insists newly nationalised banks restore lending to 2007 levels’

In the mean time builders are de-stocking at an ever faster rate. The new property discounts are now real and relate to yield, not some invented valuation. The catch here is that builders have stopped building so once they have de-stocked there will be nothing else new available in volume for some time.

As private individual investors this is the time to be bold and get your portfolio off the ground. If you don’t act now then housing associations will step in and mop up this stock before you get a look in. With our help you can buy property at the same fire sale prices that are being paid by bulk buyers. This applies to second hand part exchanges as well as completed and partially completed new property. 


As a company Choices Acquisitions has retained its credibility and integrity as an advisor by refusing to put our clients into overhyped, overpriced off plan development at the height of the boom. For this reason you should take us seriously when we say that now is the time to start buying in earnest while the current climate of fear persists.